FREE BOOKS

Author's List




PREV.   NEXT  
|<   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30  
31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   >>   >|  
d is the attention of the student. Doubtless many will consider not a few of the notes unnecessary. But what may be unnecessary to one, may be welcome to another, and it is impossible to tell what a student may or may not know. At the same time those form a large class who imagine they know a thing when they do not understand it enough to see there is a difficulty in it: to such, an attempt at explanation must of course seem foolish. A _number_ in the margin refers to a passage of the play or in the notes, and is the number of the page where the passage is to be found. If the student finds, for instance, against a certain line upon page 8, the number 12, and turns to page 12, he will there find the number 8 against a certain line: the two lines or passages are to be compared, and will be found in some way parallel, or mutually explanatory. Wherever I refer to the Quarto, I intend the 2nd Quarto--that is Shakspere's own authorized edition, published in his life-time. Where occasionally I refer to the surreptitious edition, the mere inchoation of the drama, I call it, as it is, the _1st Quarto_. Any word or phrase or stage-direction in the 2nd Quarto differing from that in the Folio, is placed on the margin in a line with the other: choice between them I generally leave to my student. Omissions are mainly given as footnotes. Each edition does something to correct the errors of the other. I beg my companion on this journey to let Hamlet reveal himself in the play, to observe him as he assumes individuality by the concretion of characteristics. I warn him that any popular notion concerning him which he may bring with him, will be only obstructive to a perception of the true idea of the grandest of all Shakspere's presentations. It will amuse this and that man to remark how often I speak of Hamlet as if he were a real man and not the invention of Shakspere--for indeed the Hamlet of the old story is no more that of Shakspere than a lump of coal is a diamond; but I imagine, if he tried the thing himself, he would find it hardly possible to avoid so speaking, and at the same time say what he had to say. I give hearty thanks to the press-reader, a gentleman whose name I do not know, not only for keen watchfulness over the printing-difficulties of the book, but for saving me from several blunders in derivation. BORDIGHERA: _December_, 1884. [Transcriber's Note: In the paper original, each left-facing page cont
PREV.   NEXT  
|<   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30  
31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   >>   >|  



Top keywords:

number

 

Shakspere

 
student
 

Quarto

 

edition

 

Hamlet

 

margin

 
passage
 

unnecessary

 

imagine


grandest

 

perception

 

obstructive

 
Transcriber
 
presentations
 

remark

 

observe

 
original
 

characteristics

 

concretion


assumes
 

individuality

 
popular
 

reveal

 

facing

 

December

 

notion

 

invention

 

journey

 
watchfulness

printing

 

speaking

 

hearty

 
reader
 

gentleman

 
difficulties
 
blunders
 

derivation

 

BORDIGHERA

 
saving

diamond

 
foolish
 
explanation
 

attempt

 

difficulty

 

refers

 

passages

 
instance
 
attention
 

Doubtless