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see, that it was setting strongly in one direction. This comparison is not without its use. Here were men eminently learned, painstaking, minute; eminently ingenious also, and in a certain sense, eminently critical. In accumulating and assorting facts--such facts as lay within their reach--and in the general thoroughness of their work, the rabbis of Jewish exegesis might well bear comparison with the rabbis of neologian criticism. They reigned supreme in their own circles for a time; their work has not been without its fruits; many useful suggestions have gone to swell the intellectual and moral inheritance of later ages; but their characteristic teaching, which they themselves would have regarded as their chief claim to immortality, has long since been consigned to oblivion. It might be minute and searching, but it was conceived in a false vein; it was essentially unhistorical, and therefore it could not live. The modern negative school of criticism seems to me to be equally perverse and unreal, though in a different way; and therefore I anticipate for it the same fate. Mr Matthew Arnold, alluding to an eccentric work of rationalizing tendencies written by an English scholar, and using M. Renan as his mouthpiece, expresses the opinion that 'an extravagance of this sort could never have come from Germany where there is a great force of critical opinion controlling a learned man's vagaries, and keeping him straight.' [24:1] I confess that my experiences of the critical literature of Germany have not been so fortunate. It would be difficult, I think, to find among English scholars any parallel to the mass of absurdities, which several intelligent and very learned German critics have conspired to heap upon two simple names in the Philippian Epistle, Euodia and Syntyche; first, Baur suggesting that the pivot of the Epistle, which has a conciliatory tendency, is the mention of Clement, a mythical or almost mythical person, who represents the union of the Petrine and Pauline parties in the Church [24:2]; then Schwegler, carrying the theory a step further, and declaring that the two names, Euodia and Syntyche, actually represent these two parties, while the true yoke-fellow is St Peter himself [24:3]; then Volkmar, improving the occasion, and showing that this fact is indicated in their very names, Euodia, or 'Rightway,' and Syntyche or 'Consort,' denoting respectively the orthodoxy of the one party and the incorporation of
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