-KU-K'IAO. From a photograph by Count de SEMALLE.

The ROI D'OR. Professed Portrait of the Last of the _Altun Khans_ or Kin
Emperors of Cathay, from the (fragmentary) Arabic Manuscript of
_Rashiduddin's History_ in the Library of the Royal Asiatic Society. This
Manuscript is supposed to have been transcribed under the eye of
Rashiduddin, and the drawings were probably derived from Chinese originals.

Plan of Ki-chau, after Duhalde.

The CROSS incised at the head of the GREAT CHRISTIAN INSCRIPTION of SI-NGAN
FU (A.D. 781); actual size, from copy of a pencil rubbing made on the
original by the Rev. J. Lees. Received from Mr. A. Wylie.

Diagram to elucidate the cities of Ch'eng-tu fu.

Plan of Ch'eng-tu. From MARCEL MONNIER'S _Tour d'Asie_, by kind permission
of M. PLON.

Bridge near Kwan-hsien (Ch'eng-tu). From MARCEL MONNIER'S _Tour d'Asie_, by
kind permission of M. PLON.

MOUNTAINEERS on the Borders of SZE-CH'WAN and TIBET, from one of the
illustrations to Lieut. Garnier's Narrative (see p. 48). From _Tour du
Monde_.

VILLAGE of EASTERN TIBET on Sze-ch'wan Frontier. From _Mr. Cooper's Travels
of a Pioneer of Commerce_.

Example of ROADS on the TIBETAN FRONTIER of China (being actually a view of
the Gorge of the Lan t'sang Kiang). From _Mr. Cooper's Travels of a Pioneer
of Commerce_.

The VALLEY of the KIN-SHA KIANG, near the lower end of the CAINDU of Marco
Polo. From Lieut. Garnier in the _Tour du Monde_.

SALT PANS in Yun-nan. From the same.

Black Lolo.

White Lolo. From DEVERIA'S _Frontiere Sino-annamite_.

_Pa-y_ Script. From the _T'oung-Pao_.

Garden-House on the LAKE of YUN-NAN-FU, YACHI of Polo. _From_ Lieut.
Garnier in the _Tour du Monde_.

Road descending from the Table-Land of YUN-NAN into the VALLEY of the
KIN-SHA KIANG (the BRIUS of Polo). From the same.

"A SARACEN of CARAJAN," being the portrait of a Mahomedan Mullah in Western
Yun-nan. From the same.

The Canal at YUN-NAN FU. From a photograph by M. TANNANT.

"Riding long like FRENCHMEN," exemplified from the Bayeux Tapestry. After
Lacroix, _Vie Militaire du Moyen Age_.

The SANG-MIAU tribe of KWEI-CHAU, with the Cross-bow. From a coloured
drawing in a Chinese work on the Aboriginal Tribes, belonging to W.
Lockhart, Esq.

Portraits of a KAKHYEN man and woman. Drawn by Q. CENNI from a photograph
(anonymous).

Temple called GAUDAPALEN in the city of MIEN (i.e. Pagan in Burma), erected
circa A.D. 1160. Engraving after a sketch b