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m _Grotesques de la Musique_, 21; canon in _Carnaval Romain_ Overture, 37; comment on Trio of _Fifth Symphony_, 150; biography, 202-205; names of his Parisian friends, 204; features of style, 205-206; _Fantastic Symphony_, analysis of, 207-211; _Carnaval Romain_ Overture, analysis of, 211-212; _Damnation of Faust_, instrumental numbers from, 213-214; _Harold in Italy_ Symphony, analysis of, 214-215; _Romeo and Juliet_ Symphony, comments on, 215-216. Bie, Oscar, 74; on the style of Couperin and Rameau, 152. Bizet, _L'Arlesienne Suites_, 80. Bohemian School, 320-321. Boieldieu, comment on Beethoven, 134, 255. _bolero_, 75. Boris Godounoff, description of, 320. Borodin, works and features of style, 316-317. Boschot, work, in three parts, on Berlioz, 207. _bourree_, 75. Brahms, _First Symphony_, 8, 14, 21, 44; modal expression in works, 23; _Fourth Symphony_ (Phrygian mode), 25; canonic style, 36; _C minor Trio_, 67; sets of variations, 88; biography, 231-233; features of style, 233-238; analysis of _First Symphony_, 239-249; of _Violin Sonata_, 250-252; of _G minor Ballade for Pianoforte_, 252-253; attitude toward program music, 253; the nature of his _Intermezzi_, 253; of the _Capriccios_, 253; his _Rhapsodies_, 254; analysis of song _Meine Liebe ist gruen_, 254; other songs, 255. branle (brawl), 75. Branscombe, Gena, 329. Brenet, M., _Life of Haydn_, 104. Brockway, H., on American folk-songs, 33, 329. Browning, 1; quotation apropos of the fugue, 49; quotations apropos of the _Fifth Symphony_, 146, 150. Bruckner, movement from _Seventh Symphony_, 231. Bruneau, _History of Russian Music_, 314. Bull, John, 79, 85. Buelow, _Sonatas_ of E. Bach, 100; comment on Grieg, 325. Burney, on the 18th Century, 103. Buxtehude, 34. Byrd, William, 12, 79, 85. Byron, influence on Schumann's style, 177. C _C minor Symphony_ (Beethoven), analysis of, 145-151. _C minor Symphony_ (Brahms), analysis of, 239-249. cadences, 55-57. Calvacoressi, on dominant relationship, 52. canon, 11; account of, 36-37. canzona, 69. _Carnaval Romain_ Overture, analysis of, 211-212. Carpenter, John Alden, _Adventures in a Perambulator_, 80, 329. Casella, 328. _Casse-Noisette Suite_, 80. Cellini, Benvenuto, compared with Berlioz, 202; opera by Berlioz, 211. Chabrier, _Bourree Fantasque_, 80, 297;
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