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m _Grotesques de la Musique_, 21;
canon in _Carnaval Romain_ Overture, 37;
comment on Trio of _Fifth Symphony_, 150;
biography, 202-205;
names of his Parisian friends, 204;
features of style, 205-206;
_Fantastic Symphony_, analysis of, 207-211;
_Carnaval Romain_ Overture, analysis of, 211-212;
_Damnation of Faust_, instrumental numbers from, 213-214;
_Harold in Italy_ Symphony, analysis of, 214-215;
_Romeo and Juliet_ Symphony, comments on, 215-216.
Bie, Oscar, 74;
on the style of Couperin and Rameau, 152.
Bizet, _L'Arlesienne Suites_, 80.
Bohemian School, 320-321.
Boieldieu, comment on Beethoven, 134, 255.
_bolero_, 75.
Boris Godounoff, description of, 320.
Borodin, works and features of style, 316-317.
Boschot, work, in three parts, on Berlioz, 207.
_bourree_, 75.
Brahms, _First Symphony_, 8, 14, 21, 44;
modal expression in works, 23;
_Fourth Symphony_ (Phrygian mode), 25;
canonic style, 36;
_C minor Trio_, 67;
sets of variations, 88;
biography, 231-233;
features of style, 233-238;
analysis of _First Symphony_, 239-249;
of _Violin Sonata_, 250-252;
of _G minor Ballade for Pianoforte_, 252-253;
attitude toward program music, 253;
the nature of his _Intermezzi_, 253;
of the _Capriccios_, 253;
his _Rhapsodies_, 254;
analysis of song _Meine Liebe ist gruen_, 254;
other songs, 255.
branle (brawl), 75.
Branscombe, Gena, 329.
Brenet, M., _Life of Haydn_, 104.
Brockway, H., on American folk-songs, 33, 329.
Browning, 1;
quotation apropos of the fugue, 49;
quotations apropos of the _Fifth Symphony_, 146, 150.
Bruckner, movement from _Seventh Symphony_, 231.
Bruneau, _History of Russian Music_, 314.
Bull, John, 79, 85.
Buelow, _Sonatas_ of E. Bach, 100;
comment on Grieg, 325.
Burney, on the 18th Century, 103.
Buxtehude, 34.
Byrd, William, 12, 79, 85.
Byron, influence on Schumann's style, 177.
C
_C minor Symphony_ (Beethoven), analysis of, 145-151.
_C minor Symphony_ (Brahms), analysis of, 239-249.
cadences, 55-57.
Calvacoressi, on dominant relationship, 52.
canon, 11;
account of, 36-37.
canzona, 69.
_Carnaval Romain_ Overture, analysis of, 211-212.
Carpenter, John Alden, _Adventures in a Perambulator_, 80, 329.
Casella, 328.
_Casse-Noisette Suite_, 80.
Cellini, Benvenuto, compared with Berlioz, 202;
opera by Berlioz, 211.
Chabrier, _Bourree Fantasque_, 80, 297;
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