FREE BOOKS

Author's List




PREV.   NEXT  
|<   436   437   438   439   440   441   442   443   444   445   446   447   448   449   450   451   452   453   454   455   456   457   458   459   460  
461   462   463   464   465   466   467   468   469   470   471   472   473   474   475   476   477   478   479   480   481   482   483   484   485   >>   >|  
s so deafening and the demands for an encore so persistent that to satisfy them he sang another old favourite--'Won't you buy my pretty flowers?' 'Ever coming, ever going, Men and women hurry by, Heedless of the tear-drops gleaming, In her sad and wistful eye How her little heart is sighing Thro' the cold and dreary hours, Only listen to her crying, "Won't you buy my pretty flowers?"' When the last verse of this sang had been sung five er six times, Philpot exercised his right of nominating the next singer, and called upon Dick Wantley, who with many suggestive gestures and grimaces sang 'Put me amongst the girls', and afterwards called upon Payne, the foreman carpenter, who gave 'I'm the Marquis of Camberwell Green'. There was a lot of what music-hall artists call 'business' attached to his song, and as he proceeded, Payne, who was ghastly pale and very nervous, went through a lot of galvanic motions and gestures, bowing and scraping and sliding about and flourishing his handkerchief in imitation of the courtly graces of the Marquis. During this performance the audience maintained an appalling silence, which so embarrassed Payne that before he was half-way through the song he had to stop because he could not remember the rest. However, to make up for this failure he sang another called 'We all must die, like the fire in the grate'. This also was received in a very lukewarm manner by the crowd, same of whom laughed and others suggested that if he couldn't sing any better than that, the sooner HE was dead the better. This was followed by another Tory ballad, the chorus being as follows: His clothes may be ragged, his hands may be soiled. But where's the disgrace if for bread he has toiled. His 'art is in the right place, deny it no one can The backbone of Old England is the honest workin' man.' After a few more songs it was decided to adjourn to a field at the rear of the tavern to have a game of cricket. Sides were formed, Rushton, Didlum, Grinder, and the other gentlemen taking part just as if they were only common people, and while the game was in progress the rest played ring quoits or reclined on the grass watching the players, whilst the remainder amused themselves drinking beer and playing cards and shove-ha'penny in the bar parlour, or taking walks around the village sampling the beer at the other pu
PREV.   NEXT  
|<   436   437   438   439   440   441   442   443   444   445   446   447   448   449   450   451   452   453   454   455   456   457   458   459   460  
461   462   463   464   465   466   467   468   469   470   471   472   473   474   475   476   477   478   479   480   481   482   483   484   485   >>   >|  



Top keywords:

called

 

taking

 

Marquis

 
gestures
 

pretty

 

flowers

 

clothes

 

parlour

 

ragged

 
ballad

village

 
chorus
 
progress
 

toiled

 
played
 

disgrace

 

soiled

 

lukewarm

 
manner
 
received

laughed

 
reclined
 

sooner

 

suggested

 
sampling
 

couldn

 

amused

 
remainder
 

cricket

 

tavern


drinking

 

whilst

 

formed

 

gentlemen

 

watching

 

Rushton

 

Didlum

 

Grinder

 

players

 

playing


backbone

 

people

 
common
 

quoits

 

England

 

honest

 

decided

 
adjourn
 

workin

 

audience