soar.'
Nine years before the death of Shakespeare, Milton was born, and early
in life he published several small poems, which, though on their
first appearance they were praised by a few of the judicious, were
afterwards neglected to that degree, that Pope in his youth could
borrow from them without risk of its being known. Whether these poems
are at this day justly appreciated, I will not undertake to decide nor
would it imply a severe reflection upon the mass of readers to suppose
the contrary, seeing that a man of the acknowledged genius of Voss,
the German poet, could suffer their spirit to evaporate, and could
change their character, as is done in the translation made by him of
the most popular of these pieces. At all events, it is certain that
these Poems of Milton are now much read, and loudly praised, yet were
they little heard of till more than 150 years after their publication,
and of the Sonnets, Dr. Johnson, as appears from Boswell's _Life_ of
him, was in the habit of thinking and speaking as contemptuously as
Steevens wrote upon those of Shakespeare.
About the time when the Pindaric odes of Cowley and his imitators, and
the productions of that class of curious thinkers whom Dr. Johnson has
strangely styled metaphysical Poets, were beginning to lose something
of that extravagant admiration which they had excited, the _Paradise
Lost_ made its appearance. 'Fit audience find though few,' was the
petition addressed by the Poet to his inspiring Muse. I have said
elsewhere that he gained more than he asked, this I believe to be
true, but Dr. Johnson has fallen into a gross mistake when he attempts
to prove, by the sale of the work, that Milton's Countrymen were
'_just_ to it' upon its first appearance. Thirteen hundred Copies were
sold in two years, an uncommon example, he asserts, of the prevalence
of genius in opposition to so much recent enmity as Milton's public
conduct had excited. But be it remembered that, if Milton's political
and religious opinions, and the manner in which he announced them, had
raised him many enemies, they had procured him numerous friends, who,
as all personal danger was passed away at the time of publication,
would be eager to procure the master-work of a man whom they revered,
and whom they would be proud of praising. Take, from the number
of purchasers, persons of this class, and also those who wished to
possess the Poem as a religious work, and but few I fear would be left
who
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