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. 92.] [Footnote 97: Vol. iii. p. 91, 92, note.] _North_.--Is it possible? And these great men were of your family, Mr. Landor! _Landor_.--I have told you so, sir--Philip was one of my Savage ancestors, [98] and he and Boulter married sisters, who were also Savages. [Footnote 98: Vol. iii. p. 92, note.] _North_.--You have lived a good while in Italy? You like the Italians, I believe? _Landor_.--I despise and abominate the Italians; and I have taken some pains to show it in various ways. During my long residence at Florence I was the only Englishman there, I believe, who never went to court, leaving it to my hatter, who was a very honest man, and my breeches-maker, who never failed to fit me. [99] The Italians were always--far exceeding all other nations--parsimonious and avaricious, the Tuscans beyond all other Italians, the Florentines beyond all other Tuscans. [100] [Footnote 99: Vol. i. p. 185.] [Footnote 100: Vol. i. p. 219.] _North_.--But even Saul was softened by music: surely that of Italy must have sometimes soothed you? _Landor_.--_Opera_ was, among the Romans, _labour_, as _operae pretium_, &c. It now signifies the most contemptible of performances, the vilest office of the feet and tongue. [101] [Footnote 101: Vol. i. p. 212.] _North_.--But the sculptors, the painters, the architects of Italy? You smile disdainfully, Mr. Landor! _Landor_.--I do; their sculpture and painting have been employed on most ignoble objects--on scourgers and hangmen, on beggarly enthusiasts and base impostors. Look at the two masterpieces of the pencil; the Transfiguration of Raphael, and the St. Jerome of Correggio; [102] can any thing be more incongruous, any thing more contrary to truth and history? [Footnote 102: Vol. i. p. 109, note.] _North_.--There have been able Italian writers both in verse and prose? _Landor_.--In verse not many, in prose hardly any. _North_.--Boccaccio? _Landor_.--He is entertaining. _North_.--Machiavelli? _Landor_.--A coarse comedian. [103] [Footnote 103: Vol. ii. p. 252.] _North_.--You honour Ariosto? _Landor_.--I do not. Ariosto is a plagiary, the most so of all poets. [104] Ariosto is negligent; his plan inartificial, defective, bad. [Footnote 104: Vol. i. p. 290.] _North_.--You protect Tasso? _Landor_.--I do, especially against his French detractors. _North_.--But you esteem the French? _Landor_.--I despise and abominate the French.
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