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decisive movement of the denouement. The antagonists are now face to face. Brutus and Cassius have done what Antony and Octavius hoped that they would do. The opposing generals hold a brief parley in which Brutus intimates that he is willing to effect a reconciliation, but Antony rejects his proposals and bluntly charges him and Cassius with the wilful murder of Caesar. Cassius reminds Brutus of his warning that Antony should have fallen when Caesar did. Antony, Octavius, and their army retire, and the scene closes with the noble farewell without hope between Brutus and Cassius. _Act V, Scene ii._ The opposing armies meet on the field, and a final flare-up of hope in the breast of Brutus is indicated by his spirited order to Messala to charge. The scene implies that Cassius was defeated by being left without support by Brutus. V. DENOUEMENT, CATASTROPHE, OR CONCLUSION (THE KNOT UNTIED) _Act V, Scene iii._ The charge ordered by Brutus has been successful, and Octavius has been driven back, but Cassius is thus left unguarded, and Antony's forces surround him. He takes refuge on a hill and sends Titinius to see "whether yond troops are friend or enemy." Believing Titinius to be slain, he begs Pindarus to stab him, and Cassius dies "even with the sword that kill'd" Caesar. With the same sword Titinius then slays himself, and Brutus, when Messala bears the news to him, exclaims in words that strike the keynote of the whole falling action and denouement: O Julius Caesar, thou art mighty yet! Thy spirit walks abroad, and turns our swords In our own proper entrails. _Act V, Scene iv._ Like Hamlet, Brutus at the last is a man of supreme action. He rallies his forces for a last attack. With hopeless failure before him, he is at once a heroic figure and one of infinite pathos. Young Cato falls. Lucilius is attacked; assuming the name of Brutus, he is not killed but taken prisoner. Antony recognizes him and gives orders that he be treated kindly. _Act V, Scene v._ Brutus dies by his own sword, and his last words tell the story of failure and defeat. Like a true Roman, he meets his doom without a murmur of complaint. He had been true to his ideals. The tragic denouement comes as the inevitable consequence, not of wilful sin, but of a noble mistake. In death he commands the veneration of both Antony and Octavius, who pronounce over his body the great interpretation of his character, and in their speeches the tra
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