ing the 'soul of the universe' (I. 115. 1-2). In the older passages
the later moral element is almost lacking, nor is there maintained the
same physical relation between Sun and Dawn. In the earlier hymns the
Dawn is the Sun's mother, from whom he proceeds.[12] It is the "Dawns
produced the Sun," in still more natural language;[13] whereas, the
idea of the lover-Sun following the Dawn scarcely occurs in the
family-books.[14] Distinctly late, also, is the identification of the
sun with the all-spirit _([=a]tm[=a],_ I. 115. 1), and the following
prayer: "Remove, O sun, all weakness, illness, and bad dreams." In
this hymn, X. 37. 14, S[=u]rya is the son of the sky, but he is
evidently one with Savitar, who in V. 82. 4, removes bad dreams, as in
X. 100. 8, he removes sickness. Men are rendered 'sinless' by the sun
(IV. 54. 3; X. 37. 9) exactly as they are by the other gods, Indra,
Varuna, etc. In a passage that refers to the important triad of sun,
wind and fire, X. 158. I ff., the sun is invoked to 'save from the
sky,' _i.e._ from all evils that may come from the upper regions;
while in the same book the sun, like Indra, is represented as the
slayer of demons _(asuras)_ and dragons; as the slayer, also, of the
poet's rivals; as giving long life to the worshipper, and as himself
drinking sweet _soma_. This is one of the poems that seem to be at
once late and of a forced and artificial character (X. 170).
Although S[=u]rya is differentiated explicitly from Savitar (V. 81. 4,
"Savitar, thou joyest in S[=u]a's rays"), yet do many of the hymns
make no distinction between them. The Enlivener is naturally extolled
in fitting phrase, to tally with his title: "The shining-god, the
Enlivener, is ascended to enliven the world"; "He gives protection,
wealth and children" (II. 38.1; IV. 53. 6-7). The later hymns seem, as
one might expect, to show greater confusion between the attributes of
the physical and spiritual sun. But what higher power under either
name is ascribed to the sun in the later hymns is not due to a higher
or more developed homage of the sun as such. On the contrary, as with
many other deities, the more the praise the less the individual
worship. It is as something more than the sun that the god later
receives more fulsome devotion. And, in fact, paradoxical as it seems,
it is a decline in sun-worship proper that is here registered. The
altar-fire becomes more important, and is revered in the sun, whose
hymns, at mos
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