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Project Gutenberg's Fiesco or, The Genoese Conspiracy, by Frederich Schiller This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Fiesco or, The Genoese Conspiracy A Tragedy Author: Frederich Schiller Release Date: October 25, 2006 [EBook #6783] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK FIESCO OR, THE GENOESE CONSPIRACY *** Produced by Tapio Riikonen and David Widger FIESCO, OR THE GENOESE CONSPIRACY. A TRAGEDY. By Frederich Schiller AUTHOR'S PREFACE. The chief sources from which I have drawn the history of this conspiracy are Cardinal de Retz's Conjuration du Comte Jean Louis de Fiesque, the Histoire des Genes, and the third volume of Robertson's History of Charles the Fifth. The liberties which I have taken with the historical facts will be excused, if I have succeeded in my attempt; and, if not, it is better that my failure should appear in the effusions of fancy, than in the delineation of truth. Some deviation from the real catastrophe of the conspiracy (according to which the count actually perished [A] when his schemes were nearly ripe for execution) was rendered necessary by the nature of the drama, which does not allow the interposition either of chance or of a particular Providence. It would be matter of surprise to me that this subject has never been adopted by any tragic writer, did not the circumstances of its conclusion, so unfit for dramatic representation, afford a sufficient reason for such neglect. Beings of a superior nature may discriminate the finest links of that chain which connects an individual action with the system of the universe, and may, perhaps, behold them extended to the utmost limits of time, past and future; but man seldom sees more than the simple facts, divested of their various relations of cause and effect. The writer, therefore, must adapt his performance to the short-sightedness of human nature, which he would enlighten; and not to the penetration of Omniscience, from which all intelligence is derived. In my Tragedy of the Robbers it was my object to delineate the victim of an extravagant sensibility; here I endeavor to paint the revers
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