The Project Gutenberg EBook of Punch, Or The London Charivari, Volume 102,
April 2, 1892, by Various
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
Title: Punch, Or The London Charivari, Volume 102, April 2, 1892
Author: Various
Release Date: December 20, 2004 [EBook #14390]
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
Produced by Malcolm Farmer, William Flis, and the PG Online
Distributed Proofreading Team
PUNCH,
OR THE LONDON CHARIVARI.
VOL. 102.
April 2, 1892.
"'TIS MERRY IN HALL."
[Illustration: "Knock'd 'em!"]
"What's in an 'at without an 'ed?" DISTAFFINA DE COCKAIGNE was wont
to inquire, and "what's an 'all" (of Music like the London Pavilion)
"without a NED" in the shape of Mr. EDWARD SWANBOROUGH, the
all-knowing yet ever-green Acting Manager at this place of
entertainment, who possessing the secret of perpetual youth in all the
glory of ever-resplendent hat and ever-dazzling shirt-front, ushers
us into the Stalls in time to hear the best part of an excellent
all-round show. It is sad to think that, probably as we were disputing
with the cabman, the celebrated Miss BOOM-TE-RE-SA, alias LOTTIE
COLLINS, Serio-Comic and Dancer, was "booming" and "teraying" before
the eyes of a delighted audience. Strange that we should not yet
have heard the great original. But as she is not (so to adapt a line
from the "_Last Rose of Summer_") "left booming alone," we have
not escaped hearing several of her male and female imitators who,
by her kind permission and that of her publishers, trade on her
present exceptional success. However, when we entered the Stalls,
Miss BOOM-TE-RE-SA had disappeared, and somebody with a song had
"intervened"--a mode of proceeding not necessarily limited to the
Queen's Proctor--before the object of our visit walked on to the
stage, and when he did come a pretty object he was too, seeing that
it was Mr. ALBERT CHEVALIER, the unequalled and inimitable Comedian
of the Costermongers. He is a thorough artist in this particular
line, and no indifferent one in others; but his Coster ballads are
artistically first rate. The fashion of calling English singers by
Italian names is on the wane, ot
|