FREE BOOKS

Author's List




PREV.   NEXT  
|<   2   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26  
27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   >>   >|  
lose of the eighteenth, form the subject of this little volume. I have endeavoured to adopt as free and simple a mode of treatment as is compatible with the accurate statement of at least the outlines of so very technical a subject. Though it is to be hoped that many professional students of architecture will find this hand-book serviceable to them in their elementary studies, it has been my principal endeavour to adapt it to the requirements of those who are preparing for the professional pursuit of the sister arts, and of that large and happily increasing number of students who pursue the fine arts as a necessary part of a complete liberal education, and who know that a solid and comprehensive acquaintance with art, especially if joined to some skill in the use of the pencil, the brush, the modelling tool, or the etching needle, will open sources of pleasure and interest of the most refined description. The broad facts of all art history; the principles which underlie each of the fine arts; and the most precious or most noteworthy examples of each, ought to be familiar to every art student, whatever special branch he may follow. Beyond these limits I have not attempted to carry this account of Gothic and Renaissance architecture; within them I have endeavoured to make the work as complete as the space at my disposal permitted. Some portions of the text formed part of two courses of lectures delivered before the students of the School of Military Engineering at Chatham, and are introduced here by the kind permission of Sir John Stokes. Many of the descriptive and critical remarks are transcripts of notes made by myself, almost under the shadow of the buildings to which they refer. It would, however, have been impossible to give a condensed view of so extended a subject had not every part of it been treated at much greater length by previous writers. The number and variety of the books consulted renders it impossible to make any other acknowledgment here than this general recognition of my indebtedness to their authors. T. R. S. [Illustration: {STAINED GLASS FROM CHARTRES CATHEDRAL.}] CONTENTS. PAGE ILLUSTRATED GLOSSARY OF TECHNICAL WORDS. xv to xxxix CHAPTER I. INTRODUCTION. 1 CHAPTER
PREV.   NEXT  
|<   2   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26  
27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   >>   >|  



Top keywords:

students

 

subject

 

complete

 

professional

 
number
 

impossible

 

architecture

 

endeavoured

 

CHAPTER

 

buildings


transcripts

 

critical

 

descriptive

 
disposal
 
remarks
 
shadow
 

portions

 

Chatham

 

lectures

 

courses


introduced

 

delivered

 

Engineering

 
School
 

formed

 

Military

 
permitted
 
permission
 

Stokes

 
length

STAINED
 

CHARTRES

 
Illustration
 

indebtedness

 
authors
 

CATHEDRAL

 

CONTENTS

 
INTRODUCTION
 

TECHNICAL

 

ILLUSTRATED


GLOSSARY

 
recognition
 

general

 

extended

 
treated
 

condensed

 

greater

 

Renaissance

 
acknowledgment
 

renders