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em, so they continued until they pass out of the view of history as a nation, when the sacrificial fires went out in the great temple at Jerusalem on the 11th of July, A.D. 70, and the heathen Roman defiled the altars of God. In the beginning Genesis tells us of one Jubal, who was the father of such as handle the harp and the organ (kinnor and ugabh--the little triangular harp of Assyria, and the shepherd's pipe, which here stands for all sorts of wind instruments). In the course of the centuries the harp changed its form somewhat, and perhaps had an increased number of strings; the flute was multiplied into several sub-varieties, and the horn was added. From Egypt they had the timbrel, a tambourine, to which Miriam, the sister of Moses, intoned the sublime canticle, "The horse and his rider hath He thrown into the sea." There were also the sistra, those metallic instruments serving in the temple service the same purpose that the bells serve in the mass at the present day--that, namely, of letting the distant worshipers know when the solemn moment has arrived. Vast numbers of musicians were employed in the greater temple service, 4,000 being mentioned in I Chronicles xxiii, 5, as praising God with the kinds of instruments appointed by David. According to Josephus, this great number was vastly increased in still later times, the numbers given being 200,000 trumpeters and 40,000 harpers and players upon stringed instruments. Even if we take the figures as greatly exaggerated, they show nevertheless that the art of music had a great place among this people. The instruments known were few in number, and their type underwent little change from the earliest days. The principal instrument of the older time was the _Kinnor_, or little triangular harp, which we find in the record of the primeval Jubal, and which more than 1,000 years later was played before Saul to defend him from the evil spirit. This also was the instrument most prominent in the temple service, and this again was hung upon the willows of Babylon. The name kinnor is said to have been Phoenician, a fact which points to this as the source of its derivation. It is not easy to see how this could well be, unless we regard the name as having been applied to the invention of Jubal at a later time, for Jubal lived many years anterior to the founding of the great metropolis of the Mediterranean. The kinnor was a small harp having from ten to twenty strings. The usua
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