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ted him through the streets, and the city bells sounded a joyful peal. Wherever he went he was received with something like royal honours, and when Walpole talked of arresting him, he was told that 10,000 soldiers would be needed to make the attempt successful. The Dean's hatred of oppression and injustice had its limits. He defended the Test Act, and assailed all dissenters with ungovernable fury. It was his aim to exclude them from every kind of power. In 1729, with a passion outwardly calm and in a moderate style, which makes his amazing satire the more appalling, Swift published _A Modest Proposal for Preventing the Children of Poor People in Ireland from being a Burden to their Parents or Country and for making them Beneficial to the Public_. A more hideous piece of irony was never written; it is the fruit of an indignation that tore his heart. The _Proposal_ is, that considering the great misery of Ireland, young children should be used for food. 'I grant,' he says,'this food will be somewhat dear, and therefore very proper for landlords, who, as they have already devoured most of the parents, seem to have the best title to the children. 'A very worthy person, he says, considers that young lads and maidens over twelve would supply the want of venison, but 'it is not improbable that some scrupulous people might be apt to censure such a practice (although, indeed, very unjustly), as a little bordering upon cruelty; which I confess has always been with me the strongest objection against any project, how well soever intended.' The business-like way in which the argument is conducted throughout, adds greatly to its force. Swift has written nothing so terrible as this satire, and nothing that surpasses it in power. The Dean was fretting away his life when he wrote this pamphlet. Two years before he had paid his last visit to the country where, as he said in a letter to Gay, he had made his friendships and left his desires. On the death of George I. he visited England, vainly hoping to gain some preferment there through the aid of Mrs. Howard, the mistress of George II., and returned to 'wretched Dublin,' to lose the woman he had loved so well and treated so strangely, and to 'die in a rage like a poisoned rat in a hole.' After Stella's death, in 1728, Swift's burden of misanthropy was never destined to be lightened. His rage and gloom increased as the years moved on, and in penning his lines of savage invective agai
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