FREE BOOKS

Author's List




PREV.   NEXT  
|<   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167  
168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   >>   >|  
, adore this soft descending goodness!' or a man conversing in the following strain with a wife who has discovered and forgiven his infidelities: '_Sir Charles._ Come, I will not shock your softness by any untimely blush for what is past, but rather soothe you to a pleasure at my sense of joy for my recovered happiness to come. Give then to my new-born love what name you please, it cannot, shall not be too kind. Oh! it cannot be too soft for what my soul swells up with emulation to deserve. Receive me then entire at last, and take what yet no woman ever truly had, my conquered heart. '_Lady Easy._ Oh, the soft treasure! Oh, the dear reward of long-desiring love--thus, thus to have you mine is something more than happiness, 'tis double life and madness of abounding joy.... '_Sir Charles._ Oh, thou engaging virtue! But I'm too slow in doing justice to thy love. I know thy softness will refuse me; but remember, I insist upon it--let thy woman be discharged this minute.' It has been said that Cibber wrote genteel comedy because he lived in the best society. If this assertion be true, the reader of his plays will decide that the best society of those days was unrefined and immoral, and that genteel comedy can be extremely vulgar. Cibber's dramas are coarse in incident, and often offensive in suggestion. The language is frequently gross, and even when he writes, or professes to write, with a moral purpose, his method may justly offend a rigid moralist. Moreover his comedy, like that of the dramatists of the Restoration, is of a wholly artificial type. Human nature has comparatively little place in it, and the fine ladies and gentlemen, the fops and fools who play their parts in his scenes, belong to a world which has no existence off the boards of the theatre. His one work which is still read by all students of the drama, and by many who are not students, is the _Apology for the Life of Mr. Colley Cibber_ (1740), which Dr. Johnson, who sneered at actors, allowed to be very entertaining. It is that, and something more, for it contains much just and generous criticism. Cibber was the author or adapter of about thirty plays, and in the latter vocation did not spare Shakespeare. [Sidenote: Lady Mary Wortley Montagu (1689-1762).] Letter writing, a delightful branch of literature, attained its highest excellence in the eighteenth century. It is an art w
PREV.   NEXT  
|<   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167  
168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   >>   >|  



Top keywords:

Cibber

 

comedy

 
happiness
 

students

 

society

 

genteel

 

softness

 

Charles

 

gentlemen

 
ladies

scenes
 

boards

 

theatre

 
existence
 
descending
 

belong

 

nature

 
purpose
 

method

 
professes

writes

 
frequently
 
justly
 

offend

 

artificial

 

wholly

 
Restoration
 

dramatists

 

moralist

 
Moreover

comparatively
 

Montagu

 

Wortley

 

Letter

 

Sidenote

 

vocation

 

Shakespeare

 

writing

 

delightful

 
century

eighteenth
 
excellence
 

highest

 

branch

 

literature

 
attained
 

thirty

 

Colley

 

Johnson

 

sneered