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d by eight lines in Professor Knight's edition, and only four of these correspond to the original text. The reviewer confined his remarks to the first thirty lines of the poem and very properly neglected the rest. He followed, with moderate success, the method of quotation with interpolated sarcasm and badinage--a method that was afterwards effectively pursued by the early Edinburgh Reviewers and the Blackwood coterie. There are few examples of that style in the eighteenth century reviews, but some noteworthy specimens of a later period--_e.g._, the _Edinburgh Review_ on Coleridge's _Christabel_ and the _Quarterly_ on Tennyson's _Poems_--are reprinted in this volume. The review of _An Evening Walk_ is simply an appended paragraph to the previous article. Wordsworth evidently appreciated the advice conveyed in the reviewer's final sentence and found many of the lines that "called loudly for amendment." More favorable notices of both poems will be found in _Critical Review_, VIII, pp. 347 and 472. _Lyrical Ballads_ The _Lyrical Ballads_ by Wordsworth and Coleridge were published anonymously early in September, 1798--a few days before the joint authors sailed for Germany. Coleridge's contributions were _The Rime of the Ancient Mariner_, _The Foster-Mother's Tale_, _The Nightingale_, and _The Dungeon_; the remaining nineteen poems were by Wordsworth. As the publication of this volume has been accepted by most critics as the first fruit of the new romantic spirit and the virtual beginning of modern English poetry, the reception accorded to the _Lyrical Ballads_ becomes a matter of prime importance. It is well known that the effort was a failure at first and that the apparent triumph of romanticism did not occur until the publication of Scott's _Lay of the Last Minstrel_ (1805); but a contemporary blindness to the beauty of two of the finest poems in English literature cannot be permitted to figure in the critics' dispassionate investigation of causes and influences. There were four interesting reviews of the first edition of the _Lyrical Ballads_, namely, (1) _Critical Rev._, XXIV, n.s. (197-204), in October, 1798, which is reprinted here; (2) _Analytical Rev._, XXVIII (583-587), in December, 1798; (3) _Monthly Rev._, XXIX, n.s. (202-210), in May, 1799, reprinted in Stevenson's _Early Reviews_; (4) _British Critic_, XIV (364-369) in October, 1799. The article in the _Critical Review_ was written by Robert Southey
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