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t given, nor the side he took in the argument, before he was shown to be wrong. The fact that he got his head broken proves little--except the folly of arguing with a woman; nor the additional fact that he refused to appear against his wife in court. But the case is one in which a good deal might be said on both sides--if earthenware jars were not introduced too early in the discussion. * * * * * MR. DU MAURIER has worse offenses to atone for than the breaking of the Brooklyn man's silly head. But for his entertaining book we should have been spared the unreadable prose of "Biltry: a Parody on 'Trilby'" and the unspeakable verse of "Drilby Re-versed," the former by Mary Kyle Dallas, the latter by Leopold Jordan. In vulgarity and banality, these two precious productions run each other a close race. Of the two we think "Drilby" a trifle the less objectionable, merely because the proportion of text to white paper is somewhat smaller. Both are poorly illustrated, and printed on much better paper than they deserve. * * * * * E. C. OF NEW ALBANY, IND., thinks that "Trilby's" possibilities as a vehicle of evil to the much-considered American "young person" are emphasized by a conversation recently overheard by her between two feminine "young persons" in Indiana. "What is this 'Trilby' everybody is talking about?" asked one of these. "Oh," replied the other, "it's a book--a novel." "They say it is awfully bad," said the first young person. "Yes, I've heard so; but it isn't so at all. I read it clear through, and there wasn't anything bad in it. I didn't like it either; there is too much French in it." "French?" commented the first young woman; "well that's it, then--all the bad part is in French." "I hadn't thought of that," mused the other one; "I suppose that's just the way of it. Anyway, it isn't nearly as good as 'Dally.'" [Illustration: PLATT. THE NEW SVENGALI. THE HYPNOTIZING OF MORTON. Have you read "Trilby?" Svengali was a bad, wicked man, who used to hypnotize poor, sweet little Trilby and make her sing and act as he pleased--With apologies to Du Maurier.] "Trilby" has even got into American politics. This shows better than anything else how wide an audience the story most have reached. How many allusions to a book of the current year would be comprehensible to the average reader of a New York daily paper? We reproduce the accompanying cart
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