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can in Kilmacrenan. All these, and many others, whose names tradition but feebly echoes, were contemporary, or nearly so, with him; and with many of them, he was united in the warmest bonds of friendship,--a friendship that served to rivet him the more to Derry. Even the budding glories of Durrow and Kells could not draw him away from his "loved oak-grove;" and at length, when the time had come for him to go forth and plant the faith in a foreign land, it was the monks of Derry who received his last embrace ere he seated himself with his twelve companions, also monks of Derry, in his little osier coracle, and with tearful eyes watched his grove till the topmost leaf had sunk beneath the curving wave. When twenty-seven years after he visited his native land, as the deputy of an infant nation and the saviour of the bards, on whom, but for his kindly intercession, the hand of infuriated justice had heavily fallen, his first visit was to Derry. It was probably during this visit that he founded that church on the other side of the Foyle, whose ivy-clad walls and gravelled area the reader of "Thackeray's Sketch Book" may remember; but few know that it was wantonly demolished by Dr. Weston (1467-1484), the only Englishman who ever held the See of Derry; and "who," adds Colgan, "began out of the ruins to build a palace for himself, which the avenging hand of God did not allow him to complete." Columba's heart ever yearned to Derry. In one of his poems he tells us "how my boat would fly if its prow were turned to my Irish oak grove." And one day when "that grey eye, which ever turned to Erin," was gazing wistfully at the horizon, where Ireland ought to appear, his love for Derry found expression in a little poem, the English version of which I transcribed from Cardinal Moran's "Irish Saints." "Were the tribute of all Alba mine, From its centre to its border, I would prefer the sight of one cell In the middle of fair Derry. "The reason I love Derry is For its quietness, for its purity; Crowded full of heaven's angels, Is every leaf of the oaks of Derry. "My Derry, my little oak grove, My abode and my little cell, O eternal God in heaven above, Woe be to him who violates it." With the same love that he himself had for his "little oak grove," he seems to have inspired the annalists of his race, for on turning over the pages of the Four Masters, the eye is arrested by such entries
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