FREE BOOKS

Author's List




PREV.   NEXT  
|<   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39  
40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   >>   >|  
er to a monastery. ACT IX., entitled _The Trial_. Fifth day.--Sansthanaka accuses Charudatta of murdering Vasantasena for her money. In the course of the trial, it appears that Vasantasena had spent the night of the storm at Charudatta's house; that she had left the house the next morning to meet Charudatta in the park; that there had been a struggle in the park, which apparently ended in the murder of a woman. Charudatta's friend, Maitreya, enters with the gems which Vasantasena had left to buy Charudatta's son a toy cart of gold. These gems fall to the floor during a scuffle between Maitreya and Sansthanaka. In view of Charudatta's poverty, this seems to establish the motive for the crime, and Charudatta is condemned to death. ACT X., entitled _The End_. Sixth day.--Two headsmen are conducting Charudatta to the place of execution. Charudatta takes his last leave of his son and his friend Maitreya. But Sansthanaka's servant escapes from confinement and betrays the truth; yet he is not believed, owing to the cunning displayed by his master. The headsmen are preparing to execute Charudatta, when Vasantasena herself appears upon the scene, accompanied by the Buddhist monk. Her appearance puts a summary end to the proceedings. Then news is brought that Aryaka has killed and supplanted the former king, that he wishes to reward Charudatta, and that he has by royal edict freed Vasantasena from the necessity of living as a courtezan. Sansthanaka is brought before Charudatta for sentence, but is pardoned by the man whom he had so grievously injured. The play ends with the usual Epilogue. FOOTNOTES: [Footnote 2: For an illuminating discussion of these matters, the reader is referred to Sylvain Levi's admirable work, Le Theatre Indien, Paris, 1890, pages 196-211.] [Footnote 3: In his Malatimadhava, i. 8, he says: "Whoever they may be who now proclaim their contempt for me,--they know something, but this work was not for them. Yet there will arise a man of nature like mine own; for time is endless, and the world is wide." This seems prophetic of John Milton.] [Footnote 4: Prasannaraghava, i. 22.] [Footnote 5: Mahaviracarita, i. 4.] [Footnote 6: History of Chinese Literature, by H. A. Giles, pages 145-146.] [Footnote 7: Shakuntala, i. 15.] [Footnote 8: Latter Acts of Rama, v. 17.] [Footnote 9: _Prakarana._] [Footnote 10: Dhurtasamkula: Dacarupa, iii. 38.] [Footnote 11: _Sahityadarpana_, 428.] [Foot
PREV.   NEXT  
|<   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39  
40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   >>   >|  



Top keywords:
Charudatta
 

Footnote

 

Vasantasena

 

Sansthanaka

 
Maitreya
 
friend
 

brought

 
headsmen
 

appears

 

entitled


admirable

 

Theatre

 
Indien
 

Dhurtasamkula

 
Prakarana
 
Whoever
 

Malatimadhava

 

Dacarupa

 
reader
 

Epilogue


injured

 

grievously

 

FOOTNOTES

 
matters
 

referred

 
discussion
 

Sahityadarpana

 

illuminating

 

Sylvain

 

Milton


Prasannaraghava

 

prophetic

 
Latter
 

Mahaviracarita

 

Literature

 

Chinese

 
Shakuntala
 
History
 

pardoned

 

contempt


proclaim

 

endless

 

nature

 

proceedings

 
scuffle
 

enters

 
condemned
 

poverty

 
establish
 

motive