FREE BOOKS

Author's List




PREV.   NEXT  
|<   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53  
54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   >>   >|  
ven in the grave cheerfulness of a circumspect hope, much, very much, might be done; enough, assuredly, to furnish a kind and strenuous nature with ample motives for the attempt to effect what may be effected. Shakespeare, A Poet Generally. Clothed in radiant armour, and authorized by titles sure and manifold, as a poet, Shakespeare came forward to demand the throne of fame, as the dramatic poet of England. His excellences compelled even his contemporaries to seat him on that throne, although there were giants in those days contending for the same honour. Hereafter I would fain endeavour to make out the title of the English drama as created by, and existing in, Shakespeare, and its right to the supremacy of dramatic excellence in general. But he had shown himself a poet, previously to his appearance as a dramatic poet; and had no _Lear_, no _Othello_, no _Henry IV._, no _Twelfth Night_ ever appeared, we must have admitted that Shakespeare possessed the chief, if not every, requisite of a poet,--deep feeling and exquisite sense of beauty, both as exhibited to the eye in the combinations of form, and to the ear in sweet and appropriate melody; that these feelings were under the command of his own will; that in his very first productions he projected his mind out of his own particular being, and felt, and made others feel, on subjects no way connected with himself, except by force of contemplation and that sublime faculty by which a great mind becomes that on which it meditates. To this must be added that affectionate love of nature and natural objects, without which no man could have observed so steadily, or painted so truly and passionately, the very minutest beauties of the external world:-- "And when thou hast on foot the purblind hare, Mark the poor wretch; to overshoot his troubles, How he outruns the wind, and with what care, He cranks and crosses with a thousand doubles; The many musits through the which he goes Are like a labyrinth to amaze his foes. "Sometimes he runs among the flock of sheep, To make the cunning hounds mistake their smell; And sometime where earth-delving conies keep, To stop the loud pursuers in their yell; And sometime sorteth with the herd of deer: Danger deviseth shifts, wit waits on fear. "For there his smell with others' being mingled, The hot scent-snuffing hounds are driven to doubt, Ceasing their clamorous cry, till they have singled With much ado, the cold fault c
PREV.   NEXT  
|<   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53  
54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   >>   >|  



Top keywords:

Shakespeare

 

dramatic

 
throne
 

nature

 

hounds

 

troubles

 

overshoot

 

outruns

 

wretch

 

purblind


meditates
 

affectionate

 

contemplation

 

sublime

 

faculty

 

natural

 

objects

 

passionately

 

minutest

 

beauties


external

 

painted

 

observed

 

steadily

 

Sometimes

 

mingled

 

snuffing

 

Danger

 

deviseth

 
shifts

driven

 
singled
 

Ceasing

 

clamorous

 

sorteth

 

labyrinth

 

connected

 

thousand

 

crosses

 

doubles


musits

 

conies

 

pursuers

 

delving

 

cunning

 

mistake

 

cranks

 
melody
 

compelled

 

contemporaries