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different perception or idea, which may require a different direction of the spirits, in order to its conception. Now what other objects, beside identical ones, are capable of placing the mind in the same disposition, when it considers them, and of causing the same uninterrupted passage of the imagination from one idea to another? This question is of the last importance. For if we can find any such objects, we may certainly conclude, from the foregoing principle, that they are very naturally confounded with identical ones, and are taken for them in most of our reasonings. But though this question be very important, it is not very difficult nor doubtful. For I immediately reply, that a succession of related objects places the mind in this disposition, and is considered with the same smooth and uninterrupted progress of the imagination, as attends the view of the same invariable object. The very nature and essence of relation is to connect our ideas with each other, and upon the appearance of one, to facilitate the transition to its correlative. The passage betwixt related ideas is, therefore, so smooth and easy, that it produces little alteration on the mind, and seems like the continuation of the same action; and as the continuation of the same action is an effect of the continued view of the same object, it is for this reason we attribute sameness to every succession of related objects. The thought slides along the succession with equal facility, as if it considered only one object; and therefore confounds the succession with the identity. We shall afterwards see many instances of this tendency of relation to make us ascribe an identity to different objects; but shall here confine ourselves to the present subject. We find by experience, that there is such a constancy in almost all the impressions of the senses, that their interruption produces no alteration on them, and hinders them not from returning the same in appearance and in situation as at their first existence. I survey the furniture of my chamber; I shut my eyes, and afterwards open them; and find the new perceptions to resemble perfectly those, which formerly struck my senses. This resemblance is observed in a thousand instances, and naturally connects together our ideas of these interrupted perceptions by the strongest relation, and conveys the mind with an easy transition from one to another. An easy transition or passage of the imagination, along the ide
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