FREE BOOKS

Author's List




PREV.   NEXT  
|<   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181  
182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   >>   >|  
llard, paillardise me suit-- are examples in point; of the latter the line in the rondeau to Death-- Deux etions et n'avions qu'un coeur. No one has bolder strokes of the picturesque, as for instance-- De Constantinoble L'emperier aux poings dores; and no one can render the sombre horror of a scene better than Villon has rendered it in the famous epitaph of the gibbeted corpses-- La pluie nous a debues et laves, Et le soleil desseches et noircis, Pies, corbeaulx nous out les yeux caves Et arraches la barbe et les sourcils. These are some of Villon's strongest points. Yet in his comparatively limited work--limited in point of bulk and peculiar in style and subject--he has contrived to show perhaps more general poetical power than any other writer who has left so small a total of verse. The note of his song is always true and always sweet; and despite the intensely allusive character of most of it, and the necessary loss of the key to many of the allusions, it has in consequence continued popular through all changes of language and manners. Of very few French poets can it be said as of Villon that their charm is immediate and universal, and the reason of this is that his work is full of touches of nature which are universally perceived, as well as distinguished by consummate art of expression. In the great literature which we are discussing, the latter characteristic is almost universally present, the former not so constantly. [Sidenote: Comines.] The literary excellence of Comines[157] is of a very different kind from that of Villon, but he represents the changed attitude of the modern spirit towards practical affairs almost as strongly as Villon does the change in its relations to art and sentiment. Philippe de Comines was born, not at the chateau of the same name which was then in the possession of his uncle, but at Renescure, not very far from Hazebrouck. His family name was Vandenclyte, and his ancestors (Flemings, as their name implies) had been citizens of Ghent before they acquired seignorial position and rank. The education of Comines was neglected (he never possessed any knowledge of Latin), and his heritage was heavily encumbered. He was born before 1447, and entered the service of Philip of Burgundy and of his son Charles of Charolais, the future Charles le Temeraire. Comines was present at Montlhery and at the siege of Liege, while he played a con
PREV.   NEXT  
|<   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181  
182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   >>   >|  



Top keywords:

Villon

 

Comines

 

present

 

Charles

 

limited

 

universally

 
reason
 

literary

 

excellence

 

spirit


modern
 

attitude

 

touches

 

represents

 

changed

 

universal

 

constantly

 

distinguished

 
discussing
 

characteristic


literature

 
expression
 

practical

 

nature

 

consummate

 
played
 

perceived

 
Sidenote
 

change

 

acquired


seignorial

 

Philip

 

position

 

Burgundy

 

citizens

 

education

 

heavily

 
service
 

encumbered

 

entered


heritage
 
neglected
 

possessed

 
knowledge
 
implies
 
Flemings
 

Philippe

 

sentiment

 

Temeraire

 

future