FREE BOOKS

Author's List




PREV.   NEXT  
|<   299   300   301   302   303   304   305   306   307   308   309   310   311   312   313   314   315   316   317   318   319   320   321   322   323  
324   325   326   327   328   329   330   331   332   333   334   335   336   337   338   339   340   341   342   343   344   345   346   347   348   >>   >|  
them are thine." In "Cymbeline" (i. 1) Imogen gives Posthumus a ring when they part, and he presents her with a bracelet in exchange: "Look here, love; This diamond was my mother's; take it, heart; But keep it till you woo another wife, When Imogen is dead. _Posthumus._ How! how! another?-- You gentle gods, give me but this I have, And sear up my embracements from a next With bonds of death! Remain, remain thou here, (_Putting on the ring_) While sense can keep it on." Yet he afterwards gives it up to Iachimo (ii. 4)--upon a false representation--to test his wife's honor: "Here, take this too; It is a basilisk unto mine eye, Kills me to look on't." The exchange of rings, a solemn mode of private contract between lovers, we have already referred to in the chapter on Marriage, a practice alluded to in the "Two Gentlemen of Verona" (ii. 2), where Julia gives Proteus a ring, saying: "Keep this remembrance for thy Julia's sake;" and he replies: "Why, then we'll make exchange: here, take you this." _Death's-head rings._ Rings engraved with skulls and skeletons were not necessarily mourning rings, but were also worn by persons who affected gravity; and, curious to say, by the procuresses of Elizabeth's time. Biron, in "Love's Labour's Lost" (v. 2), refers to "a death's face in a ring;" and we may quote Falstaff's words in "2 Henry IV." (ii. 4): "Peace, good Doll! do not speak like a death's head; do not bid me remember mine end." We may compare the following from "The Chances" (i. 5), by Beaumont and Fletcher: "As they keep deaths' heads in rings, To cry 'memento' to me." According to Mr. Fairholt, "the skull and skeleton decorations for rings first came into favor and fashion at the obsequious court of France, when Diana of Poictiers became the mistress of Henry II. At that time she was a widow, and in mourning, so black and white became fashionable colors; jewels were formed like funeral memorials; golden ornaments, shaped like coffins, holding enamelled skeletons, hung from the neck; watches, made to fit in little silver skulls, were attached to the waists of the denizens of a court that alternately indulged in profanity or piety, but who mourned for show."[755] [755] See Jones's "Finger-Ring Lore," 1877, p. 372. _Posy-rings_ were formerly much used, it havin
PREV.   NEXT  
|<   299   300   301   302   303   304   305   306   307   308   309   310   311   312   313   314   315   316   317   318   319   320   321   322   323  
324   325   326   327   328   329   330   331   332   333   334   335   336   337   338   339   340   341   342   343   344   345   346   347   348   >>   >|  



Top keywords:
exchange
 

skulls

 

skeletons

 

Posthumus

 

mourning

 

Imogen

 

memento

 
According
 

Fairholt

 
decorations

fashion

 

refers

 

skeleton

 

Falstaff

 

compare

 
remember
 

deaths

 
Fletcher
 

Chances

 

Beaumont


colors

 
profanity
 

indulged

 

mourned

 

alternately

 

denizens

 

silver

 
attached
 

waists

 

Finger


watches
 

France

 
obsequious
 

Poictiers

 

mistress

 

fashionable

 

holding

 

coffins

 

enamelled

 

shaped


ornaments

 

formed

 

jewels

 
funeral
 
memorials
 

golden

 
Remain
 

remain

 

embracements

 

Putting