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f his own age forty-three to fifty-five), the actual time employed in their composition being not more than a couple of months out of each year; and during that time only the morning hours and spare minutes during the professional day. "Though the first volume of 'Waverley' was begun long ago, and actually lost for a time, yet the other two were begun and finished between the 4th of June and the 1st of July, during all which I attended my duty in court, and proceeded without loss of time or hindrance of business."[52] Few of the maxims for the enforcement of which, in "Modern Painters," long ago, I got the general character of a lover of paradox, are more singular, or more sure, than the statement, apparently so encouraging to the idle, that if a great thing can be done at all, it can be done easily. But it is that kind of ease with which a tree blossoms after long years of gathered strength, and all Scott's great writings were the recreations of a mind confirmed in dutiful labor, and rich with organic gathering of boundless resource. Omitting from our count the two minor and ill-finished sketches of the "Black Dwarf" and "Legend of Montrose," and, for a reason presently to be noticed, the unhappy "St. Ronan's," the memorable romances of Scott are eighteen, falling into three distinct groups, containing six each. 24. The first group is distinguished from the other two by characters of strength and felicity which never more appeared after Scott was struck down by his terrific illness in 1819. It includes "Waverley," "Guy Mannering," "The Antiquary," "Rob Roy," "Old Mortality," and "The Heart of Midlothian." The composition of these occupied the mornings of his happiest days, between the ages of forty-three and forty-eight. On the 8th of April, 1819 (he was forty-eight on the preceding 15th of August), he began for the first time to dictate--being unable for the exertion of writing--"The Bride of Lammermuir," "the affectionate Laidlaw beseeching him to stop dictating when his audible suffering filled every pause. 'Nay, Willie,' he answered, 'only see that the doors are fast. I would fain keep all the cry as well as all the wool to ourselves; but as for giving over work, that can only be when I am in woolen.'"[53] From this time forward the brightness of joy and sincerity of inevitable humor, which perfected the imagery of the earlier novels, are wholly absent, except in the two short intervals of health unaccounta
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