FREE BOOKS

Author's List




PREV.   NEXT  
|<   365   366   367   368   369   370   371   372   373   374   375   376   377   378   379   380   381   382   383   384   385   386   387   388   389  
390   391   392   393   394   395   396   397   398   399   400   401   402   403   404   405   406   407   408   409   410   411   412   413   414   >>   >|  
ch another mote--_then_ one might sympathize and feel no such inconvenience--but, because I have written a 'Sordello,' do I turn to just its _double_, Sordello the second, in your books, and so perforce see nothing wrong? 'No'--it is supposed--'but something _as_ obscure in its way.' Then down goes the bond of union at once, and I stand no nearer to view your work than the veriest proprietor of one thought and the two words that express it without obscurity at all--'bricks and mortar.' Of course an artist's whole problem must be, as Carlyle wrote to me, 'the expressing with articulate clearness the thought in him'--I am almost inclined to say that _clear expression_ should be his only work and care--for he is born, ordained, such as he is--and not born learned in putting what was born in him into words--what ever _can_ be clearly spoken, ought to be. But 'bricks and mortar' is very easily said--and some of the thoughts in 'Sordello' not so readily even if Miss Mitford were to try her hand on them. I look forward to a real life's work for us both. _I_ shall do all,--under your eyes and with your hand in mine,--all I was intended to do: may but _you_ as surely go perfecting--by continuing--the work begun so wonderfully--'a rose-tree that beareth seven-times seven'-- I am forced to dine in town to-day with an old friend--'to-morrow' always begins half the day before, like a Jewish sabbath. Did your sister tell you that I met her on the stairs last time? She did _not_ tell you that I had almost passed by her--the eyes being still elsewhere and occupied. Now let me write out that--no--I will send the old ballad I told you of, for the strange coincidence--and it is very charming beside, is it not? Now goodbye, my sweetest, dearest--and tell me good news of yourself to-morrow, and be but half a quarter as glad to see me as I shall be blessed in seeing you. God bless you ever. Your own R. _R.B. to E.B.B._ Saturday Morning. [Post-mark, February 7, 1846.] Dearest, to my sorrow I must, I fear, give up the delight of seeing you this morning. I went out unwell yesterday, and a long noisy dinner with speech-making, with a long tiresome walk at the end of it--these have given me such a bewildering headache that I really see some reason in what they s
PREV.   NEXT  
|<   365   366   367   368   369   370   371   372   373   374   375   376   377   378   379   380   381   382   383   384   385   386   387   388   389  
390   391   392   393   394   395   396   397   398   399   400   401   402   403   404   405   406   407   408   409   410   411   412   413   414   >>   >|  



Top keywords:

Sordello

 
thought
 
mortar
 

bricks

 

morrow

 

passed

 

occupied

 

headache

 
begins
 

friend


forced

 

Jewish

 

sabbath

 

stairs

 

sister

 

reason

 

goodbye

 

Dearest

 

sorrow

 

February


Saturday
 

tiresome

 
Morning
 

unwell

 

dinner

 

yesterday

 

morning

 

making

 

delight

 

speech


charming

 

sweetest

 

dearest

 
coincidence
 

strange

 

bewildering

 

ballad

 
blessed
 

quarter

 

beareth


Mitford

 

nearer

 

veriest

 

proprietor

 

problem

 

Carlyle

 

artist

 

express

 

obscurity

 

inconvenience