ts former self. It had broken and
shrunk before we get the first historical glimpses of them;
before they sacked Delphi in 279 B.C.: before their ambassadors
made a treaty with Alexander; and replied to his question as to
what they feared: "Nothing except that the skies should fall."
Before they sacked Rome in 390. All these historic eruptions
were the mere sporadic outburst of a race long past its prime and
querulous with old age, I think Two thousand years of severe
pralaya, almost complete extinction, utter insignificance and
terrible karma awaited them; and we only see them, pardon the
expression, kicking up their heels in a final plunge as a
preparation for that long silence.
Some time back I discussed these historical questions, particularly
the correspondence between Celtic and Chinese dates, with
Dr. Siren and Professor Fernholm; and they pointed out to
me a similar correspondence between the dates of Scandinavian
and West Asian history. I can remember but one example now:
Gustavus Vasa, father of modern Sweden, founder of the present
monarchy, came to the throne in 1523 and died in 1560. The last
great epoch of the West Asian Cycle coincides, in the west, and
reign of Suleyman the Magnificent in Turkey, from 1520 to 1566.
At its eastern extremity, Babar founded the Mogul Empire in India
in 1526; he reigned until 1556. On the death of Aurangzeb in
1707, the Moguls ceased to be a great power; the Battle of
Pultowa, in 1709, put an end to Sweden's military greatness.
It is interesting to compare the earliest Celtic literature we
have, with the earliest literature of the race which was to be
the main instrument of Celtic bad karma in historical times--the
Teutons. Here, as usual, common impressions are false. It is
the latter, the Teutonic, that is in the minor key, and full
of wistful sadness. There is an earnestness about it: a
recognition of, and rather mournful acquiescence in, the
mightiness of Fate, which is imagined almost always adverse. I
quote these lines from William Morris, who, a Celt himself by
mere blood and race, lived in and interpreted the old Teutonic
spirit as no other English writer has attempted to do, mush less
succeeded in doing: he is the one Teuton of English literature.
He speaks of the "haunting melancholy" of the northern races--the
"Thought of the Otherwhere" that
"Waileth weirdly along through all music and song
From a Teuton's voice or string: ..."
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