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later it became a main channel through which Europe received enlightenment. May not Crete have played a like part in ancient times? I mean, is it not highly probable? May it not have been--as Sicily was to be--a mainly European country under Egyptian influence, and a seat of Egyptianized culture? Let us, then, suppose Homer a Greek, born early in the ninth century B.C., taken in childhood to Crete, and brought up there in contact with cultural conditions higher than any that obtained elsewhere among his own people. But genius stirs in him, and he is Greek altogether in the deep enthusiasms proper to genius: so presently he leaves Crete and culture, to wander forth among the islands singing.-- _En delo tote Proton ego Kai Homeros aoidoi Melpomen,_ says Hesiod: "Then first in Delos did I and Homer, two Aoidoi, perform as musical reciters." Delos, of course, is a small island in the Cyclades. He would have had some training, it is likely, as an Aoidos: a good founding in the old stories which were their stock in trade, and which all pointed to the past glory of his race. In Crete he had seen the culture of the Egyptians; in Asia Minor, the strength and culture of the Lydians; now in his wanderings through the isles he saw the disunion and rudeness of the Greeks. But the old traditions told him of a time when Greeks acted together and were glorious: when they went against, and overthrew, a great West Asian Power strong and cultured like the Lydians and Egyptians. Why should not he create again the glory that once was Greece? _Menin aeide, Thea, Peleiadeo Achileos!_ --Goddess, aid me to sing the wrath (and grandeur) of a Greek hero!--Let the Muses help him, and he will remind his people of an ancient greatness of their own: of a time when they were united, and triumphed over these now so much stronger peoples! So Dante, remembering ancient Rome, evoked out of the past and future a vision of United Italy; so in the twelfth century a hundred Welsh bards sand of Arthur. I think he would have created out of his own imagination the life he pictures for his brazen-coated Achaeans. It does not follow, with any great poet, that he is bothering much with historical or other accuracies, or sticking very closely even to tradition. Enough that the latter should give him a direction; as Poet-creator, he can make the details for himself. Homer's imagination would have been guided, I take it,
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