in me than Daphne,
after all. So I thought about it a bit, and then wrote and said I'd
remembered her now, and would she come again to see me? She wrote
back and said she would, and I must congratulate her as she was just
engaged to be married. That was a rotten day, I remember, because in
the afternoon Daphne came and said that she was engaged to be married
too. A perfect epidemic. But that's beside the point."

"The point was, if I remember rightly," said Cotterell, "that it's a
great advantage to have your head bandaged. Have you quite proved it?"

"No," said Spilbury thoughtfully. "Now you mention it, I hardly think
I have. But if my story acts as an example and a warning I shall be
satisfied."

So as an example and a warning (though of what or to whom is not too
clear) I have recorded it.

* * * * *

MUSICAL MURMURINGS.

(_BY OUR ORCHESTRAL EXPERT._)

The full programme for the season of Promenade Concerts which opened
last Saturday is, as usual, a most interesting document, and we are of
course glad to see that our gallant Allies are so well represented.
But it is the function of the critic to criticise, and we may be
permitted to express a mild regret that our native school, though by
no means excluded, does not make so good a show as its energy and
talents would seem to warrant. Our native composers are especially
noticeable for their wide range of themes, for the Celtic and Gaelic
glamour which they infuse into their treatment of them, and for their
realistic titles. We have drawn up a list of instrumental works
which illustrate these characteristics, but which are unfortunately
conspicuous by their absence from Sir HENRY WOOD'S scheme. As,
however, it is subject to alteration we are not without the hope that
some of them may yet be included in the list of works to be heard at
the Queen's Hall in the next six weeks.

SYMPHONIC VARIATIONS. "Father's lost his collar-stud." _Hans
Halfburn_.

KELTIC KORONACH. "Wirrasthrue." _Seumas Macdthoirbwlch_.

FUNERAL MARCH OF A CONSCIENTIOUS OBJECTOR. _Nelson Wellington_.

SIAMESE LULLABY for Sixteen Trombones. _Quantock de Banville_.

FANTASIA. "Wardour Street." _Yokeling Ffoulkes_.

MANX MEDITATION for Revolving Orchestra. "Laxey Wheel." _Bradda
Quellyn_.

OVERTURE. "Glasgow Fair." _Talisker McUsquebaugh_.

CAMBRIAN "SNEEZE" for Full Orchestra. _Taliesin Jones_.

ORCHESTRA MUSINGS ON IRISH RAILWAY STATIONS. _Dermod MacCat