to
recognise Baron Duvillard's son Hyacinthe, who bowed to him in very
correct style. "What! you here in our old quarter," exclaimed Francois.

"My dear fellow, I'm going to Jonas's, over yonder, behind the
Observatory. Don't you know Jonas? Ah! my dear fellow, he's a delightful
sculptor, who has succeeded in doing away with matter almost entirely. He
has carved a figure of Woman, no bigger than the finger, and entirely
soul, free from all baseness of form, and yet complete. All Woman,
indeed, in her essential symbolism! Ah! it's grand, it's overpowering. A
perfect scheme of aesthetics, a real religion!"

Francois smiled as he looked at Hyacinthe, buttoned up in his long
pleated frock-coat, with his made-up face, and carefully cropped hair and
beard. "And yourself?" said he, "I thought you were working, and were
going to publish a little poem, shortly?"

"Oh! the task of creating is so distasteful to me, my dear fellow! A
single line often takes me weeks.... Still, yes, I have a little poem
on hand, 'The End of Woman.' And you see, I'm not so exclusive as some
people pretend, since I admire Jonas, who still believes in Woman. His
excuse is sculpture, which, after all, is at best such a gross
materialistic art. But in poetry, good heavens, how we've been
overwhelmed with Woman, always Woman! It's surely time to drive her out
of the temple, and cleanse it a little. Ah! if we were all pure and lofty
enough to do without Woman, and renounce all those horrid sexual
questions, so that the last of the species might die childless, eh? The
world would then at least finish in a clean and proper manner!"

Thereupon, Hyacinthe walked off with his languid air, well pleased with
the effect which he had produced on the others.

"So you know him?" said Pierre to Francois.

"He was my school-fellow at Condorcet, we were in the same classes
together. Such a funny fellow he was! A perfect dunce! And he was always
making a parade of Father Duvillard's millions, while pretending to
disdain them, and act the revolutionist, for ever saying that he'd use
his cigarette to fire the cartridge which was to blow up the world! He
was Schopenhauer, and Nietzsche, and Tolstoi, and Ibsen, rolled into one!
And you can see what he has become with it all: a humbug with a diseased
mind!"

"It's a terrible symptom," muttered Pierre, "when through _ennui_ or
lassitude, or the contagion of destructive fury, the sons of the happy
and privileged ones st