FREE BOOKS

Author's List




PREV.   NEXT  
|<   1233   1234   1235   1236   1237   1238   1239   1240   1241   1242   1243   1244   1245   1246   1247   1248   1249   1250   1251   1252   1253   1254   1255   1256   1257  
1258   1259   1260   1261   1262   1263   1264   1265   1266   1267   1268   1269   1270   1271   1272   1273   1274   1275   1276   1277   1278   1279   1280   1281   1282   >>   >|  
ich conceives and the hand which executes, in such wise as to obtain new effects of great intensity both as regards perception and touch. To comply with the wishes of his father, who desired each of his sons to have a trade, he earned his bread like other engravers by working for the illustrated newspapers. But, in addition to this current work, he had already engraved several blocks instinct with wonderful power and life. They were simply copies of real things, scenes of everyday existence, but they were accentuated, elevated so to say, by the essential line, with a maestria which on the part of so young a lad fairly astonished one. "Do you want to engrave that?" Francois asked him, as he placed his copy of Mantegna's figure in his portfolio. "Oh! no, that's merely a dip into innocence, a good lesson to teach one to be modest and sincere. Life is very different nowadays." Then, while walking along the streets--for Pierre, who felt growing sympathy for the two young fellows, went with them in the direction of Montmartre, forgetful of all else,--Antoine, who was beside him, spoke expansively of his artistic dreams. "Colour is certainly a power, a sovereign source of charm, and one may, indeed, say that without colour nothing can be completely represented. Yet, singularly enough, it isn't indispensable to me. It seems to me that I can picture life as intensely and definitely with mere black and white, and I even fancy that I shall be able to do so in a more essential manner, without any of the dupery which lies in colour. But what a task it is! I should like to depict the Paris of to-day in a few scenes, a few typical figures, which would serve as testimony for all time. And I should like to do it with great fidelity and candour, for an artist only lives by reason of his candour, his humility and steadfast belief in Nature, which is ever beautiful. I've already done a few figures, I will show them to you. But ah! if I only dared to tackle my blocks with the graver, at the outset, without drawing my subject beforehand. For that generally takes away one's fire. However, what I do with the pencil is a mere sketch; for with the graver I may come upon a find, some unexpected strength or delicacy of effect. And so I'm draughtsman and engraver all in one, in such a way that my blocks can only be turned out by myself. If the drawings on them were engraved by another, they would be quite lifeless.... Yes, life can spring fr
PREV.   NEXT  
|<   1233   1234   1235   1236   1237   1238   1239   1240   1241   1242   1243   1244   1245   1246   1247   1248   1249   1250   1251   1252   1253   1254   1255   1256   1257  
1258   1259   1260   1261   1262   1263   1264   1265   1266   1267   1268   1269   1270   1271   1272   1273   1274   1275   1276   1277   1278   1279   1280   1281   1282   >>   >|  



Top keywords:

blocks

 

graver

 

engraved

 

candour

 

colour

 
figures
 
essential
 

scenes

 
depict
 

typical


testimony

 

fidelity

 

indispensable

 

singularly

 

completely

 

represented

 

picture

 

intensely

 

manner

 

dupery


strength

 

delicacy

 
effect
 

unexpected

 

sketch

 
pencil
 

draughtsman

 

engraver

 

lifeless

 

spring


drawings
 

turned

 

However

 

beautiful

 
Nature
 

belief

 

artist

 

reason

 
humility
 

steadfast


generally
 

subject

 

drawing

 

tackle

 

outset

 

fellows

 

instinct

 

wonderful

 

simply

 

newspapers