h and justice of to-morrow with the
invincible hammers of observation and experiment?

Francois, however, had raised his eyes to the palace clock to ascertain
the time. "I'm going to Montmartre," he said; "will you come part of the
way with me?"

Pierre assented, particularly as the young man added that on his way he
meant to call for his brother Antoine at the Museum of the Louvre. That
bright afternoon the Louvre picture galleries were steeped in warm and
dignified quietude, which one particularly noticed on coming from the
tumult and scramble of the streets. The majority of the few people one
found there were copyists working in deep silence, which only the
wandering footsteps of an occasional tourist disturbed. Pierre and
Francois found Antoine at the end of the gallery assigned to the
Primitive masters. With scrupulous, almost devout care he was making a
drawing of a figure by Mantegna. The Primitives did not impassion him by
reason of any particular mysticism and ideality, such as fashion pretends
to find in them, but on the contrary, and justifiably enough, by reason
of the sincerity of their ingenuous realism, their respect and modesty in
presence of nature, and the minute fidelity with which they sought to
transcribe it. He spent days of hard work in copying and studying them,
in order to learn strictness and probity of drawing from them--all that
lofty distinction of style which they owe to their candour as honest
artists.

Pierre was struck by the pure glow which a sitting of good hard work had
set in Antoine's light blue eyes. It imparted warmth and even
feverishness to his fair face, which was usually all dreaminess and
gentleness. His lofty forehead now truly looked like a citadel armed for
the conquest of truth and beauty. He was only eighteen, and his story was
simply this: as he had grown disgusted with classical studies and been
mastered by a passion for drawing, his father had let him leave the Lycee
Condorcet when he was in the third class there. Some little time had then
elapsed while he felt his way and the deep originality within him was
being evolved. He had tried etching on copper, but had soon come to wood
engraving, and had attached himself to it in spite of the discredit into
which it had fallen, lowered as it had been to the level of a mere trade.
Was there not here an entire art to restore and enlarge? For his own part
he dreamt of engraving his own drawings, of being at once the brain wh