oose, a
figure of neither sex, and commonplace features, expressing the silly
ecstasy that tradition requires.

"What would you have?" continued Jahan. "Religious art has sunk to the
most disgusting triteness. People no longer believe; churches are built
like barracks, and decorated with saints and virgins fit to make one
weep. The fact is that genius is only the fruit of the social soil; and a
great artist can only send up a blaze of the faith of the time he lives
in. For my part, I'm the grandson of a Beauceron peasant. My father came
to Paris to set himself up in business as a marble worker for tombstones
and so forth, just at the top of the Rue de la Roquette. It was there I
grew up. I began as a workman, and all my childhood was spent among the
masses, in the streets, without ever a thought coming to me of setting
foot in a church. So few Parisians think of doing so nowadays. And so
what's to become of art since there's no belief in the Divinity or even
in beauty? We're forced to go forward to the new faith, which is the
faith in life and work and fruitfulness, in all that labours and
produces."

Then suddenly breaking off he exclaimed: "By the way, I've been doing
some more work to my figure of Fecundity, and I'm fairly well pleased
with it. Just come with me and I'll show it you."

Thereupon he insisted on taking them to his private studio, which was
near by, just below Guillaume's little house. It was entered by way of
the Rue du Calvaire, a street which is simply a succession of ladder-like
flights of steps. The door opened on to one of the little landings, and
one found oneself in a spacious, well-lighted apartment littered with
models and casts, fragments and figures, quite an overflow of sturdy,
powerful talent. On a stool was the unfinished model of Fecundity swathed
in wet cloths. These Jahan removed, and then she stood forth with her
rounded figure, her broad hips and her wifely, maternal bosom, full of
the milk which nourishes and redeems.

"Well, what do you think of her?" asked Jahan. "Built as she is, I fancy
that her children ought to be less puny than the pale, languid, aesthetic
fellows of nowadays!"

While Antoine and Francois were admiring the figure, Pierre, for his
part, took most interest in a young girl who had opened the door to them,
and who had now wearily reseated herself at a little table to continue a
book she was reading. This was Jahan's sister, Lise. A score of years
younger th