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own Sutras; and as the Brahma_n_as are presupposed by the Sutras, while no Sutra is ever quoted by the Brahma_n_as, it is clear that the period of the Brahma_n_a literature must have preceded the period of the Sutra literature. There are, however, old and new Brahma_n_as, and there are in the Brahma_n_as themselves long lists of teachers who handed down old Brahma_n_as or composed new ones, so that it seems impossible to accommodate the whole of that literature in less than two centuries, from about 800 to 600 B.C. Before, however, a single Brahma_n_a could have been composed, it was not only necessary that there should have been one collection of ancient hymns, like that contained in the ten books of the Rig-veda, but the three or four classes of priests must have been established, the officiating priests and the choristers must have had their special prayer-books, nay, these prayer-books must have undergone certain changes, because the Brahma_n_as presuppose different texts, called sakhas, of each of these prayer-books, which are called the Ya_g_ur-veda-sanhita, the Sama-veda-sanhita, and the Atharva-veda-sanhita. The work of collecting the prayers for the different classes of priests, and of adding new hymns and formulas for purely sacrificial purposes, belonged probably to the tenth century B.C., and three generations more would, at least, be required to account for the various readings adopted in the prayer-books by different sects, and invested with a kind of sacred authority, long before the composition of even the earliest among the Brahma_n_as. If, therefore, the years from about 1000 to 800 B.C. are assigned to this collecting age, the time before 1000 B.C. must be set apart for the free and natural growth of what was then national and religious, but not yet sacred and sacrificial poetry. How far back this period extends it is impossible to tell; it is enough if the hymns of the Rig-veda can be traced to a period anterior to 1000 B.C. Much in the chronological arrangement of the three periods of Vedic literature that are supposed to have followed the period of the original growth of the hymns, must of necessity be hypothetical, and has been put forward rather to invite than to silence criticism. In order to discover truth, we must be truthful ourselves, and must welcome those who point out our errors as heartily as those who approve and confirm our discoveries. What seems, however, to speak strongly in favou
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