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| | Room No. 11, NEW YORK. | | | +--------------------------------------------------------------+ THE MYSTERY OF MR. E. DROOD. AN ADAPTATION. BY ORPHEUS C. KERR. CHAPTER XII--(Continued.) The pauper burial-ground toward which they now progress in a rather high-stepping manner, or--to vary the phrase--toward which their steps are now very much bent, is not a favorite resort of the more cheerful village people after nightfall. Ask any resident of Bumsteadville if he believed in ghosts, and, if the time were mid-day and the place a crowded grocery store, he would fearlessly answer in the negative; (just the same as a Positive philosopher in cast-iron health and with no thunder shower approaching would undauntedly deny a Deity!) but if any resident of Bumsteadville should happen to be caught near the country editor's last home after dark, he would get over that part of his road in a curiously agile and flighty manner;--(just the same as a Positive philosopher with a sore throat, or at an uncommonly showy bit of lightning, would repeat "Now I lay me down to sleep," with surprising devotion.) So, although no one in all Bumsteadville was in the least afraid of the pauper burial-ground at any hour, it was not invariably selected by the great mass of the populace as a peerless place to go home by at midnight; and the two intellectual explorers find no sentimental young couples rambling arm in arm among the ghastly head-boards, nor so much as one loiterer smoking his segar on a suicide's tomb. "JOHN McLAUGHLIN, you're getting nervous again," says Mr. BUMSTEAD, catching him in the coat collar with the handle of his umbrella and drawing the other toward him hand-over-hand. "It's about time that you should revert again to the hoary JAMES AKER'S excellent preparation for the human family.--I'll try it first, myself, to see if it tastes at all of the cork. "Ah-h," sighs OLD MORTARITY, after his turn has come and been enjoyed at last, "that's the kind of Spirits I don't mind being a wrapper to. I could wrap _them_ up all right." Reflectively chewing a clove, the Ritualistic organist reclines on the pauper grave of a former writer for the daily press, and cogitates upon his companion's leaning to Spiritualism; while the other produces matches and light
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