s as the midnight stars,
Which, in the sunshine of prosperity
Never had been descried."
Yet, after the strictest discussion, when all the causes are weighed
together, the misfortunes of Camoens will appear the fault and disgrace
of his age and country, and not of the man. His talents would have
secured him an apartment in the palace of Augustus, but such talents are
a curse to their possessor in an illiterate nation. In a beautiful,
digressive exclamation at the end of the Lusiad, he affords us a
striking view of the neglect which he experienced. Having mentioned how
the greatest heroes of antiquity revered and cherished the muse, he thus
characterizes the nobility of his own age and country.
"Alas! on Tago's hapless shore alone
The muse is slighted, and her charms unknown;
For this, no Virgil here attunes the lyre,
No Homer here awakes the hero's fire;
Unheard, in vain their native poet sings,
And cold neglect weighs dawn the muse's wings."
In such an age, and among such a barbarous nobility, what but wretched
neglect could be the fate of a Camoens! After all, however, if he was
imprudent on his first appearance at the court of John III.; if the
honesty of his indignation led him into great imprudence, as certainly
it did, when at Goa he satirised the viceroy and the first persons in
power; yet let it also be remembered, that "The gifts of imagination
bring the heaviest task upon the vigilance of reason; and to bear those
faculties with unerring rectitude, or invariable propriety, requires a
degree of firmness and of cool attention, which doth not always attend
the higher gifts of the mind. Yet, difficult as nature herself seems to
have rendered the task of regularity to genius, it is the supreme
consolation of dullness and of folly to point with Gothic triumph to
those excesses which are the overflowings of faculties they never
enjoyed. Perfectly unconscious that they are indebted to their stupidity
for the consistency of their conduct, they plume themselves on an
imaginary virtue which has its origin in what is really their
disgrace.--Let such, if such dare approach the shrine of Camoens,
withdraw to a respectful distance; and should they behold the ruins of
genius, or the weakness of an exalted mind, let them be taught to lament
that nature has left the noblest of her works imperfect."[13]
DISSERTATION ON THE LUSIAD, AND ON EPIC POETRY,
BY THE TRANSLATOR.
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