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s as the midnight stars, Which, in the sunshine of prosperity Never had been descried." Yet, after the strictest discussion, when all the causes are weighed together, the misfortunes of Camoens will appear the fault and disgrace of his age and country, and not of the man. His talents would have secured him an apartment in the palace of Augustus, but such talents are a curse to their possessor in an illiterate nation. In a beautiful, digressive exclamation at the end of the Lusiad, he affords us a striking view of the neglect which he experienced. Having mentioned how the greatest heroes of antiquity revered and cherished the muse, he thus characterizes the nobility of his own age and country. "Alas! on Tago's hapless shore alone The muse is slighted, and her charms unknown; For this, no Virgil here attunes the lyre, No Homer here awakes the hero's fire; Unheard, in vain their native poet sings, And cold neglect weighs dawn the muse's wings." In such an age, and among such a barbarous nobility, what but wretched neglect could be the fate of a Camoens! After all, however, if he was imprudent on his first appearance at the court of John III.; if the honesty of his indignation led him into great imprudence, as certainly it did, when at Goa he satirised the viceroy and the first persons in power; yet let it also be remembered, that "The gifts of imagination bring the heaviest task upon the vigilance of reason; and to bear those faculties with unerring rectitude, or invariable propriety, requires a degree of firmness and of cool attention, which doth not always attend the higher gifts of the mind. Yet, difficult as nature herself seems to have rendered the task of regularity to genius, it is the supreme consolation of dullness and of folly to point with Gothic triumph to those excesses which are the overflowings of faculties they never enjoyed. Perfectly unconscious that they are indebted to their stupidity for the consistency of their conduct, they plume themselves on an imaginary virtue which has its origin in what is really their disgrace.--Let such, if such dare approach the shrine of Camoens, withdraw to a respectful distance; and should they behold the ruins of genius, or the weakness of an exalted mind, let them be taught to lament that nature has left the noblest of her works imperfect."[13] DISSERTATION ON THE LUSIAD, AND ON EPIC POETRY, BY THE TRANSLATOR. W
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