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ntrance of the pilgrims into the cathedral, points out how different a scene must have met their eyes. "The external aspect of the cathedral itself," he says, "with the exception of the numerous statues which then filled its now vacant niches, must have been much what it is now. Not so its interior. Bright colours on the roof, on the windows, on the monuments; hangings suspended from the rods which may still be seen running from pillar to pillar; chapels, and altars, and chantries intercepting the view, where now all is clear, must have rendered it so different, that at first we should hardly recognize it to be the same building." The pilgrims on entering were met by a monk, who sprinkled their heads with holy water from a "sprengel," and, owing to the crowd of devout visitors, they generally had to wait some time before they could proceed towards a view of the shrine. Chaucer relates that the "pardoner, and the miller, and other lewd sots," whiled away the time with staring at the painted windows which then adorned the nave, and wondering what they were supposed to represent: "'He beareth a ball-staff,' quoth the one, 'and also a rake's end;' 'Thou failest,' quoth the miller, 'thou hast not well thy mind; It is a spear, if thou canst see, with a prick set before, To push adown his enemy, and through the shoulder bore.'" [Illustration: CAPITALS OF COLUMNS IN THE EASTERN APSE.] None of these windows now remain entire, though the west window has been put together out of fragments of the ancient glass. The latter-day pilgrims will do well to look as little as possible at the hideous glass which the Philistinism of modern piety has inserted, during the last half-century, in the windows of the clerestory and the nave. Its obtrusive unpleasantness make one wish that "Blue Dick" and his Puritan troopers might once more be let loose, under judicious direction, for half an hour on the cathedral. When Erasmus visited Canterbury, the nave contained nothing but some books chained to the pillars, among them the "Gospel of Nicodemus"--printed by Wynkyn de Worde in 1509--and the "tomb of some person unknown." The last words must refer either to the chapel in the south wall, which was built by Lady Joan Brenchley in 1447, and removed in 1787, or to the monument of Archbishop William Wittlesey, who died in 1374, and was interred in the south side of the nave in a marble tomb with a brass, now destroyed. At present th
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