e to pray for his soul, in his
lifetime and after; the situation of the two altars, at which the priests
prayed, can still be traced. On the vaulting we see the arms of the
prince, and of his father, and what seems to be the face of his wife. In
return for the permission to institute this chantry, the prince left to
the monastery of Canterbury an estate which still belongs to the Chapter,
the manor of Fawkes' Hall. This was a piece of land in South Lambeth,
which had been granted by King John to a baron called Fawkes. His name
still survives in the word "Vauxhall."
[2] The above paintings are illustrated in Dart's "History of
Canterbury," 1726, and in "Archaeologia Cantiana," vol. xviii.
[Illustration: IN THE MAIN CRYPT, WITH TOMB OF CARDINAL MORTON
(see p. 99).]
#The Eastern Crypt.#--The eastern portion of the crypt, under the Trinity
Chapel and the corona, is a good deal more lofty than Ernulf's building.
We noticed the ascent from the choir and presbytery to the Trinity Chapel,
and it is, of course, this greater elevation of the cathedral floor at the
east end which accounts for the greater height of the eastern crypt. The
effect, both above and below, is exceedingly happy. The most striking
thing about the interior of the cathedral is the manner in which it
rises--"church piled upon church"--from the nave to the corona, and this
characteristic enabled William the Englishman to build a crypt below which
has none of the cramped squatness which generally mars the effect of such
buildings. "The lofty crypt below," says Willis, "may be considered the
unfettered composition of the English architect. Its style and its details
are wholly different from those of William of Sens. The work, from its
position and office, is of a massive and bold character, but its unusual
loftiness prevents it from assuming the nature of a crypt.... There is one
detail of this crypt which differs especially from the work above. The
abacus of each of the piers, as well as that of each central shaft, is
round; but in the whole of the choir the abacuses are either square, or
square with the corners cut off."
It was in the smaller eastern crypt, which formerly occupied the site of
William's building which we are now examining, that Becket was hastily
buried after his assassination, when his murderers were still threatening
to come and drag his body out, "hang it on a gibbet, tear it with horses,
cut it into pieces, or throw it in some
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