FREE BOOKS

Author's List




PREV.   NEXT  
|<   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93  
94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   >>  
h the utmost reverence on bended knees, containing scraps and rags of linen with which (the story must be told throughout) the saint wiped his forehead and blew his nose" (Stanley). Erasmus describes this exhibition with a touch of scorn. "_Fragmenta linteorum lacera plerumque macci vestigium servantia. His, ut aiebant, vir pius extergebat sudorem e facie_," etc. The walls of this chapel show many traces of fresco decoration: the pattern seems to have consisted of a clustering vine tree spread over the roof. In the north wall is a Norman chamber which originally served as the Treasury; the door is still secured by three locks, the keys of which were held by different officials. St. Andrew's Chapel is part of Ernulf's work, and the peculiar ornamentation which marks his hand may be noticed over the arch of the apse which terminates it. #The North-East Transept.#--Passing along the choir aisle, we see the old Bible desk, holding the Bible which was originally placed there, and was restored to this position by the late Bishop Parry. Next we enter the north-east transept, which in its architectural features is practically a repetition of the south-east transept, with which we have already dealt. The monument to Archbishop Tait, designed by Boehm, is well worthy of its surroundings. Above it, in the north wall, about ten feet from the ground, we may notice three slits in the wall. These are what are called hagioscopes. On the other side of the wall was a recess connected with the Prior's Chapel. Through these hagioscopes--or "holy spy-holes"--the prior could see mass being celebrated at the high altar and at the altars below in the transept, without entering the cathedral. These transeptal altars are in the Chapels of St. Martin and St. Stephen which occupy two apses in the eastern wall. St. Martin is represented in a medallion of ancient glass preserved in the modern window, as dividing his coat with a beggar. Scratched on the walls are the names "Lanfrancus" and "Ediva Regina;" the bodies of Lanfranc and Queen Ediva were removed to this transept after the fire. Lanfranc originally lay in the old Trinity Chapel, and when this building was levelled to the ground, he was "carried to the vestiarium in his leaden covering, and there deposited until the community should decide what should be done with so great a Father." Apparently the heavy sheet of lead was removed, for Gervase goes on to say that "Lanfranc having remained unt
PREV.   NEXT  
|<   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93  
94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   >>  



Top keywords:

transept

 

Chapel

 
Lanfranc
 

originally

 
hagioscopes
 

removed

 

altars

 

Martin

 

ground

 

celebrated


surroundings

 
worthy
 

designed

 

notice

 
Through
 
connected
 
called
 

recess

 

deposited

 
covering

community
 

decide

 

leaden

 

vestiarium

 
building
 
levelled
 

carried

 

remained

 

Gervase

 

Apparently


Father
 

Trinity

 

eastern

 

represented

 

medallion

 

ancient

 

Archbishop

 

occupy

 

cathedral

 
entering

transeptal

 
Chapels
 
Stephen
 

preserved

 

modern

 
bodies
 

Regina

 
Lanfrancus
 

dividing

 
window