ory of fairy tales to be used in, 158-203;
classes of tales used in, 204-44;
sources of material for fairy tales to be used in, 245-64.

King-book, Persian, The, 175-76.

Lang, Andrew, tales by, as literary form, 69.

Lambikin, 21.

Language, expression in, 125-27.

Lazy Jack, 224-25.

Life,
a sense of, 14;
criticism of, 120-21;
fairy tale a counterpart to, 8-9.

Lists: of tales, 246-53; _See_ Sources of material.

Literature,
mind and soul in, 39-40;
qualities of, 40;
fairy tale as, 37-87.

Little Lamb and the Little Fish, 147-48, 267-70.

Little Two-Eyes, 145, 265-66.

Little Thumb,
editions, 189;
tale, 232, 281-82.

Literary collections of tales, 170-200.

Logical method of selecting tales, 95-96.

Long tales, opposed to child's interests, 35-36.

Lord Peter, 232, 277.

Magpie's Nest, 151, 270-72.

Maerchen Brunnen or Fairy-tale Fountain, 2-3.

Mass,
principle of, 58-59;
illustrated in: Oeyvind and Marit, 61-62;
Three Billy-Goats Gruff, 65.

Medio Pollito, 215-16.

Memory, development of, 226.

Message, of the tale, 100; of this book. _See_ Summaries.

Method of story-telling,
the recreative, 113-17;
criticism of, 114-16;
illustration of, 116-17;
direct moral, 143.

Mind, in literature, 40.

Miscellaneous,
tales, a list, 249-53;
editions, 259-62.

Modern tale,
compared with old tale, 234-43;
types of, 235-43;
what it is, 243;
tales, by Andersen, 28-29, 234, 248, 256-57.

Motifs in folk-tales, classified, 97-98.

Mother Goose,
tales of, 179-81;
her Melodies, 187, 195, 197, 198.

Musicians of Bremen, 130-31, 219-20.

Narration,
in fairy tales, 74-75;
illustrated by Sleeping Beauty, 146-47.

Norse tales, 194; a list of, 247; editions, 257.

Objectification in fairy tales, 135-38.

Oeyvind and Marit, 60-64.

Old Woman and Her Pig,
accumulative type, 207, 208;
realistic type, 225-26;
an exercise of memory, 226.

Organization of ideas,
accomplished through Fir Tree, 152-53;
social, of tale, 153-54.

Origin of fairy tales, 158-67.

Outline, 291-303.

Paper-cutting, 130-31.

Painting, as expression, 132.

Panchatantra, the Five Books, 171.

Pause, in story-telling, 104-05.

Pentamerone, The, 178-79.

Perrault, Charles,
statue of, 1;
list of tales by, 180;
tales by, tested as literary form, 68;
editions by, 257-58.

Personality,
quality of, 57-58;
in Oeyvind and