cleare and very faithfuly answering their
authours intent. Others haue also written with much facillitie, but more
commendably perchance if they had not written so much nor so popularly.
But last in recitall and first in degree is the Queene our soueraigne
Lady, whose learned, delicate, noble Muse, easily surmounteth all the rest
that haue written before her time or since, for sence, sweetnesse and
subtillitie, be it in Ode, Elegie, Epigram, or any other kinde of poeme
Heroick or Lyricke, wherein it shall please her Maiestie to employ her
penne, euen by as much oddes as her owne excellent estate and degree
exceedeth all the rest of her most humble vassalls.

THE SECOND BOOKE,
OF PROPORTION POETICAL.

_CHAP. I._

_Of Proportion Poeticall._

It is said by such as professe the Mathematicall sciences, that all things
stand by proportion, and that without it nothing could stand to be good or
beautiful. The Doctors of our Theologie to the same effect, but in other
termes, say: that God made the world by number, measure and weight: some
for weight say tune; and peraduenture better. For weight is a kind of
measure or of much conueniencie with it: and therefore in their
descriptions be alwayes coupled together (_statica & metrica_) weight and
measures. Hereupon it seemeth the Philosopher gathers a triple proportion,
to wit, the Arithmeticall, the Geometricall, and the Musical. And by one
of these three is euery other proportion guided of the things that haue
conueniencie by relation, as the visible by light colour and shadow: the
audible by stirres, times and accents: the odorable by smelles of sundry
temperaments: the tastible by sauours to the rate: the tangible by his
obiectes in this or that regard. Of all which we leaue to speake,
returning to our poeticall proportion, which holdeth of the Musical,
because as we sayd before Poesie is a skill to speake & write
harmonically: and verses or rime be a kind of Musicall vtterance, by
reason of a certaine congruitie in sounds pleasing the eare, though not
perchance so exquisitely as the harmonicall concerts of the artificial
Musicke, consisting in strained tunes, as is the vocall Musike, or that of
melodious instruments, as Lutes, Harpes, Regals, Records and such like.
And this our proportion Poeticall resteth in fiue points: Staffe, Measure,
Concord, Scituation and figure all which shall be spoken of in their
places.

_CHAP. II._

_Of proportion