FREE BOOKS

Author's List




PREV.   NEXT  
|<   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29  
30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   >>   >|  
IST OF ILLUSTRATIONS 4 CHRONOLOGICAL CHART OF GREATEST COMPOSERS 11 CHRONOLOGICAL CHART OF ITALIAN COMPOSERS 12 CHRONOLOGICAL CHART OF PRINCIPAL GERMAN COMPOSERS 13 CHRONOLOGICAL CHART OF PIANISTS AND COMPOSERS FOR PIANO 14 INTRODUCTION 15-23 Music defined--general idea of musical progress--conditions of fine art--qualities of satisfactory art-forms--periods in musical history--difference between ancient and modern music. BOOK FIRST--MUSIC OF THE ANCIENT WORLD. CHAPTER I--MUSIC AMONG THE ANCIENT EGYPTIANS 27-39 Sources of information--antiquity of their development--instruments--uses of music--their ideas about music and education--"Song of the Harper"--kindergarten. CHAPTER II--MUSIC AMONG THE HEBREWS AND ASSYRIANS 40-47 Music among the Hebrews--Jubal--kinnor--ugabh--musicians in the temple service--psaltery--flute--larger harp--Miriam--liturgy of the temple--musical ideal in Hebrew mind--music among the Assyrians--types of instruments. CHAPTER III--MUSIC AMONG THE ANCIENT GREEKS 48-69 Importance of this development--extent of the time--date of Homeric poems--epoch of AEschylus--extracts from Homer--Hesiod--patriotic applications of music--choral song--festivals--lyric drama--debut of AEschylus, Sophocles and Euripides--nature of the classic drama--orchestic--Socrates--Aristoxenus--problems of Aristotle--Greek theory of music--Pythagoras and ratios of simple consonances--devotional use of music--Greek scales--Claudius Ptolemy--Didymus--the lyre and cithara--magadis--flute--aesthetic importance--Plato on the noble harmonies--loyalty to the true--Greek musical alphabet--notation--Ode from Pindar. CHAPTER IV--MUSIC IN INDIA, CHINA AND JAPAN 70-77 Early beginning--use of the bow--national instruments--the vina--theory--ravanastron--music exclusively melodic--saying of the Emperor Tschun--the ke--Japanese ko-ko. BOOK SECOND--APPRENTICE PERIOD OF MODERN MUSIC CHAPTER V--THE TRANSFORMATION AND ITS CAUSES 81-86 General view of the transformation to modern music--causes co-operating--difference between ancient and modern music--harmony and tonality--consonance and dissonance--three steps in the development of har
PREV.   NEXT  
|<   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29  
30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   >>   >|  



Top keywords:

CHAPTER

 
COMPOSERS
 

musical

 

CHRONOLOGICAL

 

development

 

modern

 
ANCIENT
 

instruments

 

ancient

 
difference

AEschylus

 
theory
 

temple

 

notation

 
alphabet
 
magadis
 
aesthetic
 

importance

 

harmonies

 
loyalty

Claudius

 

orchestic

 

Socrates

 

Aristoxenus

 

problems

 

classic

 

nature

 
Sophocles
 

Euripides

 

Aristotle


Pythagoras
 
Ptolemy
 
Didymus
 

scales

 

devotional

 
ratios
 
simple
 

consonances

 

cithara

 

General


CAUSES

 
PERIOD
 

MODERN

 

TRANSFORMATION

 

transformation

 

dissonance

 

consonance

 
tonality
 

operating

 
harmony