the husbandman above the uncertainties incident to less
favorable climates, while at the same time the mild climate reduced to
a minimum the demands upon his productive powers for the supply of the
necessaries of life. This interesting people had the curious custom of
depositing the mummies of their dead in tombs elaborately hewn out of
the rock, or excavated in more yielding ground, in the hills which
border the narrow valley of the Nile. Many of these excavations are of
very considerable extent, reaching sometimes to the number of twenty
rooms, and a linear distance of 600 feet from the entrance. The walls
of these underground apartments are generally decorated in outline
intaglio if the rock be hard; or in color if the walls be plaster, as
is often the case. The subjects of the decorations embrace the entire
range of the domestic and public life of the people, among them
being many of a musical character. One of the first discoveries of
this kind was made toward the close of the preceding century, when
Bruce, an English traveler, found in a tomb at Biban-El-Moulouk
representations of two magnificently decorated harps played by
priests. These have since generally been called "Bruce's Harpers." The
instruments have been represented in many ways by different writers,
the most curious perversion of the facts being found in Burney's
"History of Music," where they have the form of the modern harp.
[Illustration: Harps, pipe, and flute, from an ancient tomb near the
Pyramids.
Fig. 1.
EXPLANATION OF FIG. 1.--(1) Harper, with harp, bent, of seven cords;
over him is inscribed in hieroglyphs sqa em bents (_a_), "player
[literally "scraper"] on the harp." (2) Singer, seated; above him, hes
t (_b_) "singer." (3, 4) Similar harper and singer, and same
inscriptions (_c_, _d_). (5, 6) Singer and player on the direct flute
or pipe; before the former, hes (_h_) "singer"; before the latter, mem
t (_g_) "pipe." (7, 8) Singer and player on the oblique flute, seba
(_e_); before the former, hes (_f_) "singer."]
Several large works have been devoted to plates of the pictorial
discoveries in these ancient tombs, but not until the colossal work of
Lepsius, issued under the auspices of the German government, were we
in possession of data for the study of this civilization from the
standpoint of a progressive development.
The oldest of the musical representations are found in tombs near
Thebes, and already we find the art in an advan
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