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"Such people are so uncomfortable to have around, I'd rather have a girl who gets mad," was the opinion of another in the group. Young people feel naturally that there is something vitally wrong about the girl who has no enthusiasm, whom all the interesting life of every day fails to arouse. And there _is_ something wrong. The problem facing those who have to do with the indifferent, don't care girl is to find _what is wrong_. Indifference is merely a symptom--there is always a cause. One may discover if he will the things to which the girl is _not_ indifferent, her real interests. Knowing these, he sees the door through which he must go to awaken other interests. Sympathy and friendship are the foes of indifference. If one "feels with" the girl who does not care, he may help to awaken her interests. Friendship can discover causes which nothing else can find. But there is one word which must be stricken from the vocabulary of parents, teachers and friends, who hope to awaken the indifferent girl. It is the word _hopelessly. Hopelessly_ dull, _hopelessly_ bad, _hopelessly indifferent_! Experience teaches that these must go. No teacher has a hopeless pupil, no mother has a hopeless daughter. One may regard the indifferent girl as a difficult problem but never a hopeless one. Behind the indifference and the don't-care is the _real girl_ and one must with patience and sympathy find _her_. VII THE GIRL WHO WORSHIPS THE TWIN IDOLS The twin idols that accept with all the complacency of an ancient Buddha the devotion of more worshipers than any church or creed can claim are Fashion and Pleasure. Not sane fashion which helps make men and women attractive and clothes them with neatness and care, protects them by courtesies, and shields them by conventionalities, but _mad_ fashion. Not real pleasure that fills eye with delight and days with happiness that will be remembered even when one is old and days are dark and hard but _mad_ pleasure, the thief and robber. What costly sacrifices are offered every hour of the day and night to the twin idols. When men and women away back in the dim past laid their children in the hands of Baal they made their weird music, sang their wild songs and shouted aloud that they might drown the appeal of the sacrifice. The dark ages have passed. It is the enlightened age--and yet with music and shoutings, weird dancings and songs men and women today drown the appeal of the costly sac
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