tinguished felicity--of M. Crapelet to possess. Never was greater
reluctance displayed in admitting even the palpable truths of a text, than
what is displayed in the notes of M. Crapelet: and whenever a concurring
sentiment comes from him, it seems to exude like his heart's life-blood.
Having already answered, in detail, his separate publication confined to my
30th Letter[13]--(the 8th of the second volume, in _this_ edition) and
having replied to those animadversions which appear in his translation of
the whole of the second volume, in this edition--it remains here only to
consign the Translator to the careful and impartial consideration of the
Reader, who, it is requested, may be umpire between both parties. Not to
admit that the text of this Edition is in many places improved, from the
suggestions of my Translators, by corrections of "Names of Persons, Places,
and Things," would be to betray a stubbornness or obtuseness of feeling
which certainly does not enter into the composition of its author.

I now turn, not without some little anxiety, yet not wholly divested of the
hope of a favourable issue, to the character and object of the Edition HERE
presented to the Public. It will be evident, at first glance, that it is
greatly "shorn of its beams" in regard to graphic decorations and
typographical splendour. Yet its garb, if less costly, is not made of
coarse materials: for it has been the wish and aim of the Publishers, that
this impression should rank among books worthy of the DISTINGUISHED PRESS
from which it issues. Nor is it unadorned by the sister art of _Engraving_;
for, although on a reduced scale, some of the repeated plates may even
dispute the palm of superiority with their predecessors. Several of the
GROUPS, executed on _copper_ in the preceding edition, have been executed
on _wood_ in the present; and it is for the learned in these matters to
decide upon their relative merits. To have attempted portraits upon wood,
would have inevitably led to failure. There are however, a few NEW PLATES,
which cannot fail to elicit the Purchaser's particular attention. Of these,
the portraits of the _Abbe de la Rue_ (procured through the kind offices of
my excellent friend Mr. Douce), and the _Comte de Brienne_, the _Gold Medal
of Louis XII_. the _Stone Pulpit of Strasbourg Cathedral,_ and the _Prater
near Vienna_--are particularly to be noticed.[14] This Edition has also
another attraction, rather popular in the present d