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and the deep black skin of the typical Negro, are not peculiar to the African continent."[66] The Negro is found in the low, marshy, and malarious districts. We think the Negro is produced in a descending scale. The African who moves from the mountain regions down into the miasmatic districts may be observed to lose his stature, his complexion, his hair, and his intellectual vigor: he finally becomes the Negro. Pathologically considered, he is weak, sickly, and short-lived. His legs are slender and almost calf-less: the head is developed in the direction of the passions, while the whole form is destitute of symmetry. "It will be understood that the typical Negroes, with whom the slavers are supplied, represent the dangerous, the destitute, and diseased classes of African society. They may be compared to those which in England fill our jails, our workhouses, and our hospitals. So far from being equal to us, the polished inhabitants of Europe, as some ignorant people suppose, they are immeasurably below the Africans themselves, "The typical Negro is the true savage of Africa; and I must paint the deformed anatomy of his mind, as I have already done that of his body. "The typical Negroes dwell in petty tribes, where all are equal except the women, who are slaves; where property is common, and where, consequently, there is no property at all; where one may recognize the Utopia of philosophers, and observe the saddest and basest spectacles which humanity can afford. "The typical Negro, unrestrained by moral laws, spends his days in sloth, his nights in debauchery. He smokes hashish till he stupefies his senses or falls into convulsions; he drinks palm-wine till he brings on a loathsome disease; he abuses children, stabs the poor brute of a woman whose hands keep him from starvation, and makes a trade of his own offspring. He swallows up his youth in premature vice; he lingers through a manhood of disease, and his tardy death is hastened by those who no longer care to find him food.... If you wish to know what they have been, and to what we may restore them, look at the portraits which have been preserved of the ancient Egyptians: and in those delicate and voluptuous forms; in those round, soft features; in those long, almond-shaped, half-closed, languish
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