composer, and specially
excelled in orchestration. During his last few years he was a close
student of Wagner, whose influence is apparent in this last work of
his life.

CARMEN.

"Carmen," an opera in four acts, words by Meilhac and Halevy, adapted
from Prosper Merimee's romance of "Carmen," was first produced at the
Opera Comique, Paris, March 3, 1875, with Mme. Galli-Marie in the
title-role and Mlle. Chapuy as Michaela. The scene is laid in Seville,
time 1820. The first act opens in the public square, filled with a
troop of soldiers under command of Don Jose, and loungers who are
waiting the approach of the pretty girls who work in the cigar-factory
near by, and prettiest and most heartless of them all, Carmen. Before
they appear, Michaela, a village girl, enters the square, bearing a
message to Don Jose from his mother, but not finding him departs. The
cigar-girls at last pass by on their way to work, and with them
Carmen, who observes Don Jose sitting in an indifferent manner and
throws him the rose she wears in her bosom. As they disappear,
Michaela returns and delivers her message. The sight of the gentle
girl and the thought of home dispel Don Jose's sudden passion for
Carmen. He is about to throw away her rose, when a sudden disturbance
is heard in the factory. It is found that Carmen has quarrelled with
one of the girls and wounded her. She is arrested, and to prevent
further mischief her arms are pinioned. She so bewitches the
lieutenant, however, that he connives at her escape and succeeds in
effecting it, while she is led away to prison by the soldiers. In the
second act Carmen has returned to her wandering gypsy life, and we
find her with her companions in the cabaret of Lillas-Pastia, singing
and dancing. Among the new arrivals is Escamillo, the victorious
bull-fighter of Grenada, with whom Carmen is at once fascinated. When
the inn is closed, Escamillo and the soldiers depart, but Carmen waits
with two of the gypsies, who are smugglers, for the arrival of Don
Jose. They persuade her to induce him to join their band, and when the
lieutenant, wild with passion for her, enters the apartment, she
prevails upon him to remain in spite of the trumpet-call which summons
him to duty. An officer appears and orders him out. He refuses to go,
and when the officer attempts to use force Carmen summons the gypsies.
He is soon overpowered, and Don Jose escapes to the mountains. The
third act opens in the haunt of t