, and Carl
Formes as Plunkett. It was first produced in English and Italian at
London in 1858, and in French at Paris in 1865. The history of its
origin is interesting. M. de St. Georges, at the request of the
manager of the Paris Grand Opera, wrote in 1842 the libretto to a
ballet entitled "Lady Henrietta, or the Servant of Greenwich," the
subject being suggested to him by the adventures of two ladies of his
acquaintance who had mingled with servants at a fair. The music was
confided to three composers. The first act was given to Herr von
Flotow, the second to Herr Burgmuller, and the third to M. Deldeves.
The ballet had such a remarkable success, and Flotow was so delighted
with the plot, that he entreated St. Georges to rewrite it for an
opera. The latter consented, and the result of their collaboration was
the appearance of one of the most popular operas which has ever been
placed upon the stage.

The scene of the opera is laid at Richmond, England, and the time is
during the reign of Queen Anne, though the Italian version places it
in the fifteenth century, and the French in the nineteenth. Lady
Henrietta, an attendant upon the Queen, tired of the amusements of
court life, contrives a plan to visit the servants' fair at Richmond
disguised as a servant-girl, and accompanied by Nancy, her maid, and
Sir Tristan, her somewhat aged cousin, who is also her devoted
admirer. In the first three scenes their plans are laid much to the
disgust of Sir Tristan, who is to pass as John, while his fair cousin
masquerades as Martha. The duet between the ladies ("Of the Knights so
brave and charming"), and the trio with Tristan, are in dance time,
and full of animation. The fourth scene opens in the market-place at
Richmond, where the people are gathering to the fair. Thither also
resort Plunkett, a farmer, and Lionel, his brother by adoption, whose
parentage is unknown, and who has no souvenir of his father except a
ring which has been left for him, with instructions to present it to
the Queen if he ever finds himself in trouble. Lionel tells his story
in an aria ("Lost, proscribed, an humble Stranger") which is
universally popular, and the melody of which has been set to various
words. They have come to the fair to procure help for their farm.
While the sheriff, according to law, is binding the girls for a year's
service, Plunkett and Lionel meet Martha and Nancy, and are so
delighted with their appearance that they tender them t