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The Project Gutenberg eBook, The Standard Operas (12th edition), by George P. Upton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Standard Operas (12th edition) Author: George P. Upton Release Date: February 8, 2005 [eBook #14968] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE STANDARD OPERAS (12TH EDITION)*** E-text prepared by David Newman, Keith M. Eckrich, and the Project Gutenberg Online Disributed Proofreading Team THE STANDARD OPERAS Their Plots, Their Music, and Their Composers A Handbook by GEORGE P. UPTON Twelfth Edition Chicago: A. C. McClurg and Company 1897 PREFACE. The object of the compiler of this Handbook is to present to the reader a brief but comprehensive sketch of each of the operas contained in the modern repertory which are likely to be given during regular seasons. To this end he has consulted the best authorities, adding to the material thus collected his own observations, and in each case presented a necessarily brief sketch of the composer, the story of each opera, the general character of the music, its prominent scenes and numbers,--the latter in the text most familiar to opera-goers,--the date of first performances, with a statement of the original cast wherever it has been possible to obtain it, and such historical information concerning the opera and its composition as will be of interest to the reader. The work has been prepared for the general public rather than for musicians; and with this purpose in view, technicalities have been avoided as far as possible, the aim being to give musically uneducated lovers of opera a clear understanding of the works they are likely to hear, and thus heighten their enjoyment. In a word, the operas are described rather than criticised, and the work is presented with as much thoroughness as seemed possible considering the necessarily brief space allotted to each. In the preparation of the Handbook, the compiler acknowledges his indebtedness to Grove's excellent "Dictionary of Music" for dates and other statistical information; and he has also made free use of standard musical works in his library for histori
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