at she is his paramour. The
duet between them ("O! a te bada"), in which Lucrezia passes from
humble entreaties to rage and menace, is a fine instance of
Donizetti's dramatic power. The Duke, however, is resolute in his
determination, and will only allow her to choose the mode of Genarro's
death. She selects the Borgia wine, which is poisoned. Genarro is
called in, and after a trio ("Le ti tradisce"), which is one of the
strongest numbers in the opera, he is given the fatal draught under
the pretence of a farewell greeting from the Duke, who then leaves
mother and son together. She gives him an antidote, and he is thus
saved from the fate which the Duke had intended for him.

The last act opens at a banquet in the palace of the Princess Negroni,
which is attended by Genarro and his friends, Lucrezia, meanwhile,
supposing that he has gone to Venice. During the repast she has
managed to poison their wine. In the midst of the gay revel Orsini
sings the popular drinking-song, "Il segreto per esser felici," which
is now familiar the world over. The festivities are interrupted,
however, by the appearance of Lucrezia, who reveals herself with the
taunting declaration: "Yes, I am Borgia. A mournful dance ye gave me
in Venice, and I return ye a supper in Ferrara." She then announces
that they are poisoned. The music is changed with great skill from the
wild revelry of drinking-songs to the sombre strains of approaching
death. Five coffins are shown them, when Genarro suddenly reveals
himself to Lucrezia and asks for the sixth. The horror-stricken woman
again perceives that her son has been poisoned by her own hand. As his
companions leave the apartment she implores Genarro to take the
antidote once more, and at last reveals herself as his mother. He
steadily refuses to save himself, however, since his companions have
to die, and expires in her arms just as the Duke and his followers
enter. She discloses Genarro's relationship, and then dies with the
despairing cry on her lips that Heaven has pronounced its final
judgment upon her. Among all of Donizetti's operas, not one, unless it
be "Lucia," is more popular than "Lucrezia Borgia," which may be
attributed to the fact that while the story itself is one of
fascinating dramatic interest, the musical numbers are simple,
beautiful, and effective.

FLOTOW.

Friedrich von Flotow was born April 27, 1812, in the duchy of
Mecklenberg-Schwerin, and in 1827 went to Paris, where h