f comfort appears, in the suit which the rich
gallant Petruchio, of Verona, pays to Katharine, in disgust with the
sycophants who have been manifesting such deference to his wealth. The
remainder of the story is occupied with the details of the various
processes by which he breaks and tames the shrew, and the ingenious
ruse by which Lucentio gains the hand of the lovely Bianca.
The curtain rises upon a night scene in Padua, with Lucentio before
Bianca's house singing a melodious serenade. Its strains are
interrupted, however, by a hurly-burly in the house, caused by the
shrew's demonstrations. The tumult is transferred to the street, and
gives occasion for a very vigorous ensemble. When the crowd disperses,
Lucentio resumes his serenade, Bianca appears upon the balcony, and
the two join in a very pleasing duet. This number is also interrupted
by Hortensio, at the head of a band of street musicians, who has also
come to serenade his mistress. The encounter of the two lovers brings
on a quarrel, which is averted, however, by the interposition of
Baptista. A duet follows between them, at the close of which Lucentio
retires. Petruchio now appears upon the scene, and learns from
Hortensio of Katharine's vixenish disposition, which determines him to
woo her. With a stirring song ("She is a Wife for such a Man
created"), the act comes to an end.
The second act opens in a chamber in Baptista's house, where Katharine
is berating Bianca for accepting serenades from suitors, and abuses
her even to blows. The scene closes with a vigorous song for Katharine
("I'll give myself to no one"), which is greeted with cynical applause
by Petruchio, Baptista, Lucentio, and Hortensio, who enter, the last
two disguised as teachers. In the next scene, Petruchio and Katharine
alone, we have the turbulent wooing, which is accompanied throughout
by characteristic music. As the others return Petruchio announces his
success in the song, "All is well," the theme of which is taken by the
quintet, closing the act.
The third is the most interesting act of the three. It opens on the
day selected for the wedding of Katharine and Petruchio, in Baptista's
garden; the first number being a charming quintet for Katharine,
Bianca, Lucentio, Hortensio, and Baptista. The guests are present, but
Petruchio is not there. An explanation is made, followed by a chorus
as the guests leave; and then Bianca is free to take her lessons, in
one of which Lucentio makes
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